Fascinating (and extremely wonky) article by Josh Mound over at Audiophile Style. Great stuff in the comments thread, too.
I didn't read the article...much too long to keep my interest today...but this album is one of my all time favorites...because unlike others on here..I live for the hit songs....yes I'm shallow...and I'm not seeking the answer to life's many mysteries through songs....so now that a disclaimer is out of the way...I'll say a few things...this album was so well made(for it's time period)that any version of it is fine...to be able to define the ultimate version is merely nit picking...based on your own personal preferences....look at these numbers...whether it's a CD...SACD...Vinyl... or download...they are all good....dynamic range doesn't account for everything...but in this case it speaks volumes...I can remember how people thought I was wrong to spend $60 at the time for the SHM-SACD....and maybe they were right...but I've never regretted buying it...the only thing that I heard that was better was an upmix in surround...and it wasn't light years better...more along the lines of pleasingly different
I would disagree with anybody that claims that one version is so much better than the other that it could be considered the definitive version...
I would disagree with anybody that claims that one version is so much better than the other that it could be considered the definitive version...
I also have the SACD-SHM, however the MSFL shows slightly better numbers. Hmmm.
Luckily that's not the sort of claim he's making. He's careful to say that the album is an audiophile's benchmark no matter what, and that the waveforms finally don't reveal that much difference between the different versions. It's more like "if you're concerned about x, then version y probably has a slight edge." What's fascinating to me are the behind-the-scenes stories explaining how we wound up with so many different versions in the first place. (And none of them surround...)
The difference is so small I doubt you could tell the difference...not many CDs now reach 13..a lot of hi rez downloads don't even reach that number...which is sad..
The difference is so small I doubt you could tell the difference...not many CDs now reach 13..a lot of hi rez downloads don't even reach that number...which is sad..
Just curious about DR; the majority of albums I looked at showed regular vinyl LPs had the highest DR; would those numbers be reduced substantially if an LP was transferred to a flac file (like Gene is doing?)
Great read. "Aja" is one of the first CD's I bought, when it came out, so there's a chance I have the Hoffman version. I seem to recall I checked it out 15 years ago but I can't remember what the indicators are. I'll have to check it out again.
I admit that I did not read EVERY word of the article, but did the author ever tell us what the indications were? I’ve got the original MCA version as well, but I have no idea if it’s Nichols’ or Hoffman’s.
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