It's funny, after so many years of this hobby, I sometimes think, well I guess the novelty has worn off and I still love surround sound, but it's not the mind-blowing experience it was when I started out.
Then once in a while, an album comes around that simply has fantastic music and a fantastic mix, and I'm all excited again. I didn't like this one at all at first listen, thought it was too quiet and solemn, too few rocky songs, and somehow the country-ish vibe didn't sit right with me. After repeated listens, though, I've come to appreciate this as one of those just-after-sundown albums. It fits right into that evening onset melancholy, a phase in my day where I'm at my most creatively productive, and it weaves an incomparable mood.
The sound quality is completely beyond reproach. Perfect balance.
As I mentioned, the songs range from soft-rocky (a handful) to hauntingly understated (most). The mix complements them perfectly. There's not always a *lot* going on in the rears, but even in the quiet and sparsely arranged songs, the rears are always *there* and they always augment the experience perfectly. The real killer here, though, is Chapin Carpenter's isolated vocals in the centre channel. In e.g. "Someone Else's Prayer" or "The Dreaming Road", it's like she's RIGHT there. She's a kickass singer and songwriter, and with this presentation, her songs just grab you and won't let you go. Goosebumps.
I find this disc to be a very special experience that, funnily enough, with over 1,000 titles in my collection, not many other albums can create. I'm giving it a straight-up 10.