Following the positive reception to Monkey House’s Remember The Audio back in December, I’m thrilled to announce the next in a series of high-resolution Atmos downloads from Alma Records’ back-catalog.
https://immersiveaudioalbum.com/product/catch-a-corner-cinque-atmos-mkv-mp4/
The album was originally released in late 2011, but only recently remixed in Atmos for (close to) its tenth anniversary by original recording/mix engineer John “Beetle” Bailey. The Atmos mix is not yet available on the streaming services, and I’m not sure if or when it will be.
I can’t really speak with authority on the music itself, but to my untrained ear this almost sounds like a mid-70s CTI production (think Grover Washington Jr’s Soul Box or Stanley Turrentine’s Don’t Mess With Mr. T) that’s somehow eluded release until the present-day. Standout tracks for me are the funky “Saturday Night, Sunday Morning” and soulful instrumental cover of "Still Crazy After All These Years”.
Bailey’s Atmos mix isn’t quite like one of those four-corner CTI quads, but it is very discrete with the rhythm section largely upfront and accompanying elements (keys, organ, horns, percussion, etc) dotted all around the room. The dynamic range and overall sonic quality are again stellar to my ears, this guy is a real pro.
https://immersiveaudioalbum.com/catch-a-corner-cinque-dolby-atmos/
https://immersiveaudioalbum.com/product/catch-a-corner-cinque-atmos-mkv-mp4/
The album was originally released in late 2011, but only recently remixed in Atmos for (close to) its tenth anniversary by original recording/mix engineer John “Beetle” Bailey. The Atmos mix is not yet available on the streaming services, and I’m not sure if or when it will be.
I can’t really speak with authority on the music itself, but to my untrained ear this almost sounds like a mid-70s CTI production (think Grover Washington Jr’s Soul Box or Stanley Turrentine’s Don’t Mess With Mr. T) that’s somehow eluded release until the present-day. Standout tracks for me are the funky “Saturday Night, Sunday Morning” and soulful instrumental cover of "Still Crazy After All These Years”.
Bailey’s Atmos mix isn’t quite like one of those four-corner CTI quads, but it is very discrete with the rhythm section largely upfront and accompanying elements (keys, organ, horns, percussion, etc) dotted all around the room. The dynamic range and overall sonic quality are again stellar to my ears, this guy is a real pro.
https://immersiveaudioalbum.com/catch-a-corner-cinque-dolby-atmos/