While packing up for yet another move (sigh), this one caught my eye and, given the warm, quiet evening ahead, gave it another spin.
Well...two things. First: Given what there was to work with (as I stated above years ago, apparently only BRYTER had any kind of multis to work with, since these tracks are the only ones with significant 'rear action'), releasing only BRYTER in MC--rather than an anthology--would have been the most sensible move, IMO.
Two: Even so, what is on this disc that is *almost* decent surround was probably scuttled by those who did the remixing, though I don't know that for sure, of course. It's possible that, listening to the tapes, there was hesitance to isolate, say, the orchestral parts of BRYTER to the rears, or putting Nick's voice in the center channel, or...whatever. Which is why I was disappointed in the mix of even these tracks.
The sound quality of the disc is, admittedly, superb (I have copies of Nick's albums on US and UK vinyl--the latter the keepers, as you'd expect, the US vinyl highly variable but generally bland by comparison). But that did not excuse the sonic contrivances of the comp overall. I stand by my '4', although if you want nice sound and don't mind a lack of real surround for so many tracks, it might work for you.
As for the legacy of Nick Drake...hearing him now is like hearing Love's Arthur Lee as an introvert (with backing music to match), or Love's minor genius, Bryan MacLean, subdued and excessively reflective. In other words, lacking the spark that informed that L.A. band so well even while it could be so gentle. Nick was a minor genius, and a troubled one, as so many who burn out early tend to be.
Nick Drake's finest music was for rooms with a little candlelight, but not for romance, just contemplation and reflection. Or, you could think, someone who would have been better off with a reclusive, even rustic, life. But then, he picked up a guitar, someone heard him, signed him, and....
If you've never heard this disc and can find it, it's worth the cost despite the unfortunate limitations of the mix.
ED