https://issuu.com/futurepublishing/docs/mix541.digital_ns/30"One of the biggest challenges, Wilson has discovered, is that very few of the stakeholders can listen to Dolby Atmos in an environment comparable to the one in which it was created in order to approve the mix. 'People are getting Atmos mixes done but they don't really understand what they're going to hear. And they have no real way of listening to it.'"
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