First off, if you don't like the last few Knopfler releases, you won't like this either. It's the same style. I'm never sure how to describe it. Like Scottish Americana music. But its well made and beautiful music that is very laid back. It doesn't rock much but great lyrics. Great stories. Come for the fretwork and the storytelling. Get a drink and relax. There is nothing remotely intense here. Don't expect Brothers in Arms or even On Every Street.
Previous solo Knopfler surround includes Shangra-La and Sailing to Philadelphia. I'm in the minority in my thinking that the above titles have good 5.1 mixes. They are not in your face mixes. They are relatively subtle. But they do serve the music well. And they all have great sonics. Really great sonics. Keep in mind I run 5.1.4, and the rears are to the side and barely behind my MLP. I think that helps out subtle mixes. That said, One Deep River is even less adventurous that they are. Still great sonics though.
This entire album sounds unusually spacious. Very big sounding. When I get time I'm going to compare it to the stereo playback and see how much of that is Atmos and how much is baked into the recording. In Atmos, this album gives me a very tangible illusion of height on my system. Classical and Jazz fans will probably like this mix. It strives to give a realistic presentation above all else. Not a distracting gimmick in sight. Back in my stereo days, if I could have gotten a 3D image like this, I'd have been ecstatic.
It's not totally devoid of surround information, but there is precious little discrete height info. What is there tends to lightly support what's in the floors.
Standout tracks:
Two Pairs of Hands
Ahead of the Game - synths? In the heights?
Scavengers Yard - maybe the most adventurous mix on the album and quickly becoming my favorite track
Tunnel 13 - great storytelling, some subtle surroundy moments toward the end
Watch Me Gone - great song, background vocals in the heights.
I may add to this list as time goes by.
in terms of Knopfler solo material alone this wouldn't make it to a 10 for me. I think the material and mixes are better on Shangra-La and Sailing to Philadelphia. And I like those albums better than Privateering or Kill To Get Crimson. But One Deep River isn't bad at all. So it gets an honest 8 from me. If however we were rating it on how close you can get to the realism of an actual performance instead of how impressive and "entertaining" the mix is, it would fare much better. It's ironic, since realism should actually be the true goal of Hi-Fi playback. Maybe the real thing just isn't good enough for us anymore.
I finished playing this twice, then went on to play What it Is, Sailing To Philadelphia, Speedway At Nazareth, Baloney Again, 5:15 am, Postcards From Paraguay, and Boom, Like That. All highly recommended.