So I noticed this pop up online recently, and I took the plunge because my old A&M CD from the '90s is really muddy.
Listening on headphones, right from the opening notes of Body Heat, something didn't seem right - the lead vocals were too low in the mix.
I spent about a month restoring a copy of the Q8 of this album with Neil Wilkes about 10 years ago, so I know the quad mix of this album like the back of my hand. So I go and check Buffalo Soldier and Boogie Joe, both of which have hi-hat parts that circle around the room in the quad mix, and on headphones I can hear them moving left to right, so this definitely isn't the stereo mix, where they remain static.
Having A/B'ed the remaining tracks with my old stereo CD, I was 100% sure it was a different mix, every track was markedly different, and now thanks to a friend with a Surround Master, I can confirm without a doubt that it's the SQ encoded quad master.
I found it on HDTracks, but presumably UMG have released this to all the hirez and streaming sites, so you should be able to find it everywhere. The dynamic range has been slightly compressed, but it's still DR11 and sounds good.
https://www.hdtracks.com/#/album/6008b194f08b3e5a17bf3de2
For me personally, this is a pretty big revelation because I presumed that all of A&M's quad masters perished in the UMG vault fire. It does raise a lot of questions though:
Why did they use this tape? By accident, or are the stereo master tapes no longer with us?
If a SQ-encoded master exists, does a discrete 4-channel master exist?
Are there digital downloads/streams of other A&M albums that have mistakenly used the SQ quad masters?
AND MORE.... (to steal a line from the HDTracks weekly release emails)
Listening on headphones, right from the opening notes of Body Heat, something didn't seem right - the lead vocals were too low in the mix.
I spent about a month restoring a copy of the Q8 of this album with Neil Wilkes about 10 years ago, so I know the quad mix of this album like the back of my hand. So I go and check Buffalo Soldier and Boogie Joe, both of which have hi-hat parts that circle around the room in the quad mix, and on headphones I can hear them moving left to right, so this definitely isn't the stereo mix, where they remain static.
Having A/B'ed the remaining tracks with my old stereo CD, I was 100% sure it was a different mix, every track was markedly different, and now thanks to a friend with a Surround Master, I can confirm without a doubt that it's the SQ encoded quad master.
I found it on HDTracks, but presumably UMG have released this to all the hirez and streaming sites, so you should be able to find it everywhere. The dynamic range has been slightly compressed, but it's still DR11 and sounds good.
https://www.hdtracks.com/#/album/6008b194f08b3e5a17bf3de2
For me personally, this is a pretty big revelation because I presumed that all of A&M's quad masters perished in the UMG vault fire. It does raise a lot of questions though:
Why did they use this tape? By accident, or are the stereo master tapes no longer with us?
If a SQ-encoded master exists, does a discrete 4-channel master exist?
Are there digital downloads/streams of other A&M albums that have mistakenly used the SQ quad masters?
AND MORE.... (to steal a line from the HDTracks weekly release emails)