Hey Mike! I listened to it for a week or two in an effort to get to know the album well. I tried repeated listens with e.g. Steven Wilson's albums and XTC too, because I wanted to get a good understanding of them. I find it a bit challenging to put my thoughts into proper words since I'm no musician, despite my lifelong interest in collecting music and several attempts at piano classes.
I'm listening again right now and I wish I could tell you, this section is off rhythmically or the singing here doesn't quite do it, but I honestly don't know. All the ingredients are there, they're all well executed, but put together, it doesn't hit me. It's just, some things you listen to and they immediately hook you, others you want to give a chance and then after repeated listens you decide, it's not for me or I love it. It took me a decade or two of on and off attempts to get into Bob Dylan. I can't pull it off with Yes. I think it's Jon Anderson's singing voice. I know it was why I eventually sold that Best Of Vangelis CD I had for a few years.
Throughout DtU, I always find your singing voice is somehow holding back, as if there should be a moment where it takes off, but then it doesn't. I feel there's a lack in volume (not loudness, but breadth/depth). Then, in the proggier songs, I find that at moments, the rhythm is too incoherent to really flow for me, it's like my experience is abruptly interrupted by unexpected drum beats. That's also keeps me from enjoying bands like Yes or King Crimson. I think they're just too experimental and disruptive for me.
On another level, I don't really get a consistent mood reading from the DtU. You mentioned yourself that the songs vary greatly in tone and style, and I think that throws me off. At the beginning, I get into a Dream Theater/Porcupine Tree mood, but then there's Muse-ish song. As the album progresses, we're in Bon Jovi and early Linkin Park territory, and then there's a string of ballads.
Also, thematically, it's hard to lock onto something here. Your album is deliberately cinematic in many places, designed to evoke imagery and movie clips in the listener's head (or at least it does that in my head). Without having read all the lyrics, and by listening casually and sometimes more deliberately, here are some of the images that come up in my mind:
- Outer space
- Ghosts/spirits
- An alien (?) on a mission to Earth
- Skeletons
- Dancing skeletons, which evoke
that scene from Monkey Island 2 for me
- An exotic place called Macina; without looking it up, I picture scenes from Greece where I was on vacation as a kid
- A Prince of Peace, whom I for some reason picture in a "Lawrence of Arabia" setting
First of all, few of the above are things many of us are likely to encounter in real life, which also makes it hard for me to e.g. relate to Ayreon's Universal Migrator albums - but what they have going for them is that they are thematically and tonally very consistent.
I think I can't really decide what DtU is about. A straight-up pop album doesn't usually have the deepest of messages, but prog rock albums tend to have very clear and consistent themes. The likes of "Scenes from a Memory" and "The Human Equation" (Ayreon) tell straight-up stories, "Dark Side of the Moon" is all about insanity and an unfulfilled life. Others vary in subjects, but are very consistent musically. "We can't Dance" has TV preachers, a remorseful hit-and-run driver, railroad workers, social justice, the passing of time, but its music and sound are very consistent.
So yeah, these are some loose thoughts. In the end, I'm one of those people who need to be able to spin a whole album in one go without wanting to skip tracks, and DtU doesn't do that for me, as much as I appreciate and commend it. I think perhaps the bottom line is, it might work better if you took some of the ideas here and turned them into albums of their own? Alternately, perhaps pick a musical style and turn that into an album?
Thanks for being so open to feedback and criticism, and not being offended. I do hope more people will check out Disturbing the Universe, as I said, it's a remarkable effort.