Kirk's (@kfbkfb's) thread from earlier today reminded me of a tab I've had open in my browser for months--something I stumbled upon when I was searching for info about Black Jazz--specifically, whether the label's earliest titles ever got quad releases.
I'd be surprised if this issue of Billboard hasn't been cited on QQ before, though I couldn't find it with a quick search. It contains a 22-page insert--"Quadrasonic Sound: A Status Report"--with articles on universal decoders, quad for the car, "quaducating" producers, and quad's impact on mixing studios, as well as fascinating profiles of Hugo Montenegro, Pierre Boulez & the New York Phil, and Dick Schory. (How many of those "500 masters" of orchestral works that Schory licensed for quad mixes were ever released, I wonder?) Needless to say, some great ads, too. It's a real trove. Other quad-related news on p. 1, as well as reviews (Buddy Miles, Judy Collins) on p. 12.
https://www.americanradiohistory.com/Archive-Billboard/70s/1973/Billboard 1973-08-04.pdf#page=33
I'd be surprised if this issue of Billboard hasn't been cited on QQ before, though I couldn't find it with a quick search. It contains a 22-page insert--"Quadrasonic Sound: A Status Report"--with articles on universal decoders, quad for the car, "quaducating" producers, and quad's impact on mixing studios, as well as fascinating profiles of Hugo Montenegro, Pierre Boulez & the New York Phil, and Dick Schory. (How many of those "500 masters" of orchestral works that Schory licensed for quad mixes were ever released, I wonder?) Needless to say, some great ads, too. It's a real trove. Other quad-related news on p. 1, as well as reviews (Buddy Miles, Judy Collins) on p. 12.
https://www.americanradiohistory.com/Archive-Billboard/70s/1973/Billboard 1973-08-04.pdf#page=33
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