I am cataloging some vinyl and came across the exact insert.Just found this in the Old School Quad FB Group (original post by Cykomf Harley):View attachment 84871
Kirk Bayne
I am cataloging some vinyl and came across the exact insert.Just found this in the Old School Quad FB Group (original post by Cykomf Harley):View attachment 84871
Kirk Bayne
I didn't see any digs about CD-4 on the insert. Plus the insert is Columbia. Had to edit. Just noticed CBS at bottom of insert. That's what I get for speed reading!CBS and their sneaky insults to CD-4:
Full dynamic range
Full frequency range
Quiet
IIRC, Sony did similar things when promoting (SQ) quad.
Kirk Bayne
It's interesting that, with all the Columbia SQ records I have, none of them have had that insert!They're subtle, I've followed the developments related to CD-4 since I first read about it in the 1972-02 issue of High Fidelity (in the Truman HS library) and then a more detailed description in the 1972-09 Popular Electronics:
https://worldradiohistory.com/Archi...idelity/70s/High-Fidelity-1972-02.pdf#page=30
https://worldradiohistory.com/Archive-Poptronics/70s/1972/Pop-1972-09.pdf#page=12
(although, by 1975, CD-4 discs were just as quiet and and had the same dynamic range as mono/stereo/matrix quad discs, the CD-4 frequency range was limited to 15kHz, there's no upper limit for mono/stereo/matrix quad)
I've often wondered if the (relatively low) baseband/sum cutting level in the early years (spring 1972 till the WEA group begin releasing CD-4 in late summer 1973) was to go easy on the 1st generation of CD-4 carts (these early CD-4 discs could have been characterized as "not as quiet" and/or "limited dynamic range")
Kirk Bayne
Fascinating - now I have to go through my library!!!I am cataloging some vinyl and came across the exact insert.
It's essentially an FM multiplex system, similar to that used for FM stereo.In CD-4 discussions, there is a tendency to promote the ideas that the back channels are treated differently from the front channels or that only the back channels are dependent upon the super sonic modulated carriers. These ideas are not true. All four channels are derived from matrixing the audio frequency sum signals with the carrier-derived difference audio signals.
Doug
The frequency response of all four CD-4 channels are the same. Each CD-4 channel is decoded from both the baseband and the carrier on that side of the groove.As far as I was aware the dynamic range of CD4 discs, particularly the rear channels, was significantly less than ‘normal’ SQ or QS. It has been mentioned above that the rear channel frequency response was curtailed compared to the front, but even a Shibata stylus would have great difficulty reproducing a normal dynamic range of a signal superimposed on the carrier signal, and in addition the demodulator would further compress (reduce the dynamic range) to reduce hiss, a bit like Dolby B.
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