Never heard this album prior to buying the HFPA version, but I'm really enjoying it, in a low-key miserably depressed way. I think it's beautifully arranged and mixed, kind of like Pink Floyd's 'Let's spare no effort to make meticulously recorded odes to how nothing matters anymore' vibe, but dirgier.
Nice sonics at 192kHz LPCM; for some reason my cheap Sony blu-ray player shows DTS HD 192kHz but the HDMI-connected Integra DTR 6.9 insists it's playing a 96kHz stream. Time to go menu diving I suppose.
Just got done posting this on the HFPA Facebook page, thought I'd post it here too where someone might actually care. It's a long shot, but what the hell.
"Things that puzzle me about HFPA discs, or at least the Beck 'Sea Change' disc (beautiful 5.1 LPCM 192kHz mix) that I'm currently listening to:
1. HFPA's militant stance against including video content, the inclusion of which would in no way detract from the audio quality, is a whole world of 'why' all by itself, as if arbitrarily disavowing options that Blu-ray offers constituted a new format. But you still have to have a monitor set up to navigate the menus. On the 'Sea Change' blu-ray, pushing 'play' from the opening screen does nothing- gotta push 'enter' to choose the highlighted stereo/surround audio option to proceed. Defaults to stereo of course...?
2. After pushing 'enter' to choose stereo or surround, the next screen shows the track listing at the top, audio options at the bottom, all in too tiny pink text that gets even harder to read when it's selected and turns blue. I push play, and the message 'This operation currently prohibited for this disc' appears. Only the magic 'enter' key will make it 'play'. That's someone's idea of intuitive, I suppose. Both options can initiate playback, if your disc author has it together.
If I choose the initial stereo option, then push 'enter' to play, hitting the remote's "audio select" button only toggles between the two functionally identical stereo flavors, DTS-HD Master audio 192kHz and LPCM 192kHz/24bit. Likewise starting down the surround trail means the button toggles between DTS-HD Master Audio 5.1 192kHz and the identically rezed 5.1 LPCM. If the whole 'keep it simple/audio only' pretext actually meant something, it would suggest that the audio button should toggle between all the available mixes rather than make the end user navigate up and down a menu tree to choose one of a total of 4 audio options.
3. In keeping with the menu designer's 'enter' key fetish, entering a number on the remote only jumps to the corresponding track after you hit the enter key- which you could argue is logical in case you need to enter a 2-digit number, but certainly a brief pause to allow for a second digit to be entered would be sufficient. I entered '12' five minutes ago and it's still sitting there onscreen looking lost- 'what do you mean, 12?'. Just go to the 12th cut, dammit. Oh, wait, I have to hit enter. Again.
At least there's the track#/enter option on 'Sea Change'; on the 'Grr' Stones HFPA disc (which also sounds great, to give HFPA their due) with 50 tracks the number keys are totally ignored, whether you hit enter or not. Gotta scroll around on the numbers-only 10x5 grid to jump to a track, whereupon the display helpfully tells you the track number, not name. Because if you make the video portion too informative it'll compromise the audio quality somehow, I suppose.
4. When the Beck disc is paused, the menus are paralyzed. I think the technology exists to navigate menus while playback is paused, at least in DVDs. Maybe Universal thinks this would confuse the end user and has done this on purpose. Or is this just on my Blu-ray player?
That's probably enough constructive criticism for one post. I'd like this pretend format to succeed, especially as a surround-sound option, so I encourage Universal to put a little more thought into their end-users experience menu-wise. Or at least make the 'play' button play the disc, and the audio options button select among all the audio options. Thanks."