I noticed that too, and I wondered if maybe they rolled off the top end slightly in mixing or mastering that song for the LP so that it wouldn't suffer from inner groove distortion. It always seems like it's high-end transients (hi hats, sibilant vocals, etc) that are the most affected by IGD, so by de-emphasizing them, you de-emphasize the distortion?
Like @Plan9 I've listened to many different versions of this album (original LP, MoFi LP, Cisco LP, Nichols CD, Hoffman CD, box set, standalone remaster, etc.) and the one for me is the SACD. I think the Hoffman has a slightly warmer (and maybe more pleasant) tonality, but to me the SACD wins because it sounds just like the original LP, minus the drawbacks of vinyl. With the Hoffman disc I feel like I can hear the sound of circa-1984 analog to digital converters, whereas the SACD seems more viscerally transparent - there are occasional percussive transients and other bits of musical excitement that make the hairs on the back of my neck stand up when I listen on headphones in a way the CD versions never did.
I think with this album you're really spoiled for choice, and it's more a matter of personal preference than some increase in quality that can be objectively measured. Aside from the box set version, and the standalone remaster (which are both derived from Roger Nichols mid-80s digital transfers of the albums for CD) all the other versions sound really good and don't have any dynamic range compression.
Like @Plan9 I've listened to many different versions of this album (original LP, MoFi LP, Cisco LP, Nichols CD, Hoffman CD, box set, standalone remaster, etc.) and the one for me is the SACD. I think the Hoffman has a slightly warmer (and maybe more pleasant) tonality, but to me the SACD wins because it sounds just like the original LP, minus the drawbacks of vinyl. With the Hoffman disc I feel like I can hear the sound of circa-1984 analog to digital converters, whereas the SACD seems more viscerally transparent - there are occasional percussive transients and other bits of musical excitement that make the hairs on the back of my neck stand up when I listen on headphones in a way the CD versions never did.
I think with this album you're really spoiled for choice, and it's more a matter of personal preference than some increase in quality that can be objectively measured. Aside from the box set version, and the standalone remaster (which are both derived from Roger Nichols mid-80s digital transfers of the albums for CD) all the other versions sound really good and don't have any dynamic range compression.