wow what a mess the Poll for this very important release is becoming..
All the polls are becoming messy. Take a look at the Lennon release.wow what a mess the Poll for this very important release is becoming..
I'm not only older than dirt, I invented it!Do we really have to bicker in a poll thread? How old are we?
ANS: Really old!
You don't even answer other peoples questions that asked nicely.......STOP YOUR BICKERING!!!!I'm not only older than dirt, I invented it!
My ignore list is getting longer....
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- Following the vocals is an interesting and varied experience. The imaging of the vocals on some tracks is fascinating - as it just seems to hover in the room - and its very effective. In other cases it seems the vocals are overwhelmed by the instruments and could have been made more prominent in the final mix. o much fun to put any of these 4 albums on. Sure wish more sets like this were forthcoming. My rating is 9 but I am entering 10 because it reflects my enthusiasm for this release.
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After living in Madrid for 26 years I noticed that, besides CASTILLIAN Spanish dubbing being extremely irreverent (adding cuss words to The Simpsons??? HELL YEAH!), usually the mixes for films and series are VERY dialog heavy, as opposed to the USA mixes where the dialog is mostly buried in the mix.......
When listening 5.1, specially films, I use to increase the Center channel level to hear better the dialog ove the "explosions'. BUT in QUAD mixes, you cannot do that for the vocals, like when I do sometimes for 5.1 music mixes when the main vocals are at Center channel.
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Rhino posted a podcast with Tom Johnson of the Doobies to talk about the new Quadio box set...they don't talk about the quadraphonic mixes at all, other than mentioning they are on the discs...but without the quad mixes I would not have bought either box.
Good to have you back Matt. I had the same thing happen to me a while back where I couldn't log back in. Then after a few weeks I was able to. Go figure?Geez, I've been locked out of this forum for months now. Something about my email address... which there was nothing wrong with, so I just re-logged in with another email address. Anyway. I went with a 10. I now have all of these albums in quad, the Mobile Fidelity SACDs, and the old Captain and Me DVD-A. I guess you could say I'm covered.
EDIT: Oops, just realized I'd already voted in this thread months ago!
I have had the same thing happen a couple of times. It’s some sort of glitch. You have to contact [email protected] and she will fix it for you. It doesn’t guarantee it won’t happen again, but she is able to get you back in.Geez, I've been locked out of this forum for months now. Something about my email address... which there was nothing wrong with, so I just re-logged in with another email address. Anyway. I went with a 10. I now have all of these albums in quad, the Mobile Fidelity SACDs, and the old Captain and Me DVD-A. I guess you could say I'm covered.
EDIT: Oops, just realized I'd already voted in this thread months ago!
cough cough(Or perhaps where a release pisses one off so much that a “1“ is a generous score. )
Clearly this set (and Chicago) is blowing a lot of minds—but mostly I'm sitting here wondering what the heck is going on... I'm on a Sony UXB-700 myself, feeding into a Marantz SR8015, and although I've got sound coming out of all four speakers, the rears are screamin' while the fronts seem super muted... the vocals are WAY back in the mix... and while I'm not as familiar with the Doobies, with the Chicago I'm having exactly the same issue and I know the music well... and while I know quad is its own beast and expectations need to be set, there's no way this is right (the quad Atom Heart mother on the Floyd early years box is perfect). Core vocal lines and melody lines that are present in the fronts, are SUPER buried and overpowered by horn pads and harmonies and things in the rears...
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