I wonder why they stayed with the L/C/R approach when "Light My Fire" was a favorite 4 Channel demo track back in the quad days. Played it many times, and the "Best of the Doors", being a single inventory quadradisc, was probably the biggest selling CD-4 of all time (with Aloha it's nearest competitor)
At least we still have our QLPs, Q8's, and Q4's.
Is this also available in Quad? I never knew that!
Must go track me down a copy, I think.
Am I missing something here?
LCR is not Orange Book specification - SACD is supposed to be 2, 5 or 6 channel with 6 channel being 5.1 as opposed to 6.0
There is no mention of either Quad or LCR encoding at all in the DSDIFF encoder tools - they throw an error.
So there have to be silent surrounds here.
Is this also available in Quad? I never knew that!
Must go track me down a copy, I think.
There are no such 3 or 4 channel SACDs. Only having 2, 5, 6 channels with muted one(s) as Neil pointed out.There's a lot of 3 channel (L/C/R) SACD's out there. The Living Stereo series, the recent Nat King Cole releases to name a few. You also have 4 channel SACDs.
"Orange Book specification" is a follow-up to "Red Book spesification" and includes the recordable CD formats CD-R and CD-RW in addition to the read-only CD-DA. The specification document for SACD is called "Scarlet Book".
There are no such 3 or 4 channel SACDs. Only having 2, 5, 6 channels with muted one(s) as Neil pointed out.
So, which Doors SACD was it? The Analogue Productions one or the Japan version? Since you're mentioning lack of bass, I'd guess it's the APO.
I'm not, by any stretch, a Doors fanatic. But I've always liked their albums. For me, they require a 'mood'. I recently found the standalone SACD (US release, 2013) on Discogs.com for $23 US and couldn't pass it up.
This is definitely a great album, and frankly...given the material of other more modern bands out there, I still think it's surprising that they invested all that time into taking mono recordings and creating surround mixes of them.
The mix on this is definitely LCR'ish. There is a bit of reverb in the rears, but that's pretty much it. All in all, the frontal mix is pretty damn great. Solid bass from the sub, the instruments are presented clearly (albeit hard-panned in a lot of the mix), and the vocals are mixed nicely into the center with the reverb dished out conservatively into the surround channels.
I would've preferred a more playful mix on some of the songs, but I simply cannot complain about much on this disc. Gave it a 9. 4 for the mix, 4 for the material, and a bonus 1 for existing. Well worth the dough. I need to pick up the others if I can find them at a good price.
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