I bought the English box for the SACDs. ATOTT & W&W are my favorite Genesis recordings though I love all the PG era as well. So that is where I am coming from.
I own all the CDs, the original LP and the MFSL LP from back in 1981ish..
This SACD is magnificent. It is
by far, the best I have ever heard this recording. I do not have issues with harshness or too much cymbals. As I recall from the first I heard the LP it was a bit bright with lots of cymbals. Phil plays them almost like a second rythym guitar, I've always thought.
When mixing & mastering a recording some compression must always be used. A room or a car does not offer
all the sonic listening space for a full dynamic recording(from a pin drop to a thunder clap) ATOTT SACD is VERY dynamic still and I don't notice the compression when I listen in my main 5.1 listening home space.
Every single mixing sound man will have his/her own gut feeling on how much compression is needed in what the mix should be, so I know every 5.1 mix will be one of a kind so I don't pick apart a mix unless there are major flaws.
For me, ATOTT 5.1 from my SACD box set is a 10. I consider it to be a treasure of the highest order. I listen to this recording in complete bliss. The only bad part is Steve Hackett leaving Genesis after W&W, but that is no fault of this SACD.
BONUS Area:
Well, I gave a 9.
Yes, the original sound is warmer, better, but I am so happy that my absolute favorite band has put out all studio albums in surrround...I really can not give less points.
Uh... yeah.... But you could give it one
more point! :slap: :ugham: :brew