A little late for the 2024 season but here are my thoughts. I got the set from Burning Shed and it was delivered in the nick of time on December 23rd (see what I did there?)
My set-up:
5.1.2 (Fronts, Center, Surrounds, Sub, Middle Heights)
Marantz Receiver SR5014
Sony X800 - Blu-ray
Definitive Technology Matching Speakers
Klipsch Reference Series Sub
Episode Signature 5 In-Ceiling Surrounds
Content: Decent
Mix:
- Atmos – Disappointing
- 5.1 – Awesome & Discrete
Fidelity: Fantastic
Overall Score: 9
Package -
While this deluxe edition is physically configured to the same size as most other deluxe editions, it feels a bit lacking in written and visual content, as
@Mirsset previously pointed out. Yes, it includes the lyrics and, amusingly, a touring schedule for Christmas gigs spanning from the time of this release to the present. However, it omits Ian’s detailed notes on the songs and a comprehensive history of the recording period.
The edition features two brief notes written in 2024, but the rest seems to consist of recycled material from the original release or the subsequent 2009 re-press.
Audio content is OK.
CD1: Original Mixes
CD2: Bruce Soord’s remix from the original tapes
CD3: A live Christmas show from 2008
CD4: A live Christmas show from 2006
Blu-ray: Atmos, 5.1, high-rez stereo mixes.
Atmos and 5.1 are offered only the album mix. The live mixes are stereo only.
Surround Mix –
I have to admit, I’m not a fan of the Atmos mix. Maybe it’s my setup, but there seems to be way too much going on with the overheads—particularly a heavy emphasis on the flute up there.
The vocals also feel buried under the music and have a bit too much reverb applied. This strong focus on the height channels isn’t something I’ve noticed in Bruce’s other Atmos mixes, and I really hope it’s not a sign of a new trend in his style.
If you enjoy a fully immersive mix, this might work for you, but personally, I prefer a more noticeably discrete and directional approach.
The 5.1 mix, on the other hand, is spot on—dry and crisp, like a winter’s day, and perfectly discrete where it matters. The vocals also sit more comfortably in the mix, closer to the balance of the stereo version. Overall, I just find it more enjoyable.
Overall –
The retail price might be a bit steep for the overall content, but this is still another excellent entry in the Tull deluxe series. I’m thrilled to have this release in surround.
Disclaimer: I’m likely in the minority, but I consider this one of the stronger albums in the Tull discography—despite it being somewhat of a compilation and reworking. It’s heading to the shelf for now, but I’m already looking forward to pulling it out again next December!