I haven't gotten my DVD-A yet but have heard the 2010 stereo mix. Don't get me wrong, I LOVE Islands, the sound is great on this mix but they have RUINED it!!!!
At the beginning of Track 2 there used to be this cymbal part where it was ticking away and then it would like split and go stereo or out of phase or something. One of the great "get ready" moments in recorded history.
Now, it is gone. I have a pal who said it doesn't do what it used to do on the surround either. I guess I will get over it and love the release but something happened here.
Islands was not the first King Crimson record I became acquainted with back in the day, but it was the first one I got upon its release. So it has held a special, but probably neglected space on my shelf over the years. A year or so back I played my uk issue LP for the first time in years and was pleasantly surprised. It is the gateway to what followed with Mssrs. Bruford, Wetton, Cross and Muir. And it is splendid. Reading the liner notes for the newly issued DVD-A brings to light the trials and tribulations of RF as he fielded yet another new line up. Information we were not privy to in 1971 and in retrospect provides a glimpse into the state of mind of the Creator as he put together this record in his spare time whilst ceaselessly touring his latest KC incarnation, perhaps the scrappiest band under the moniker King Crimson: Frip's inner Perfect Storm.
The newly released DVD-A is a marvel. RF and SW did a great job on this one and I was surprised at the layers of musical lines that are revealed , particularly in the multichannel mix. Things buried in the original mix now have their own space. The angst in the 3 inner tracks (Sailors Tale, The Letter, Ladies of the Road) is fully expressed. LofR in particualr was a revelation. This has always been a favorite but I was unprepared for the dissonance, the nightmarish if not grotesque lines that appear in the last third of the song. It takes us beyond Lizard.
And now the recording of the cymbal that introduces Sailors Tale: For years this has been, as Mr. Wagstaff so accurately observes, one of the great "Get ready, here we go" moments in rock music. Upon my first listening in mc, I was surprised, disappointed and picqued that they screwed up this incredible moment in recorded history. For years we have anticipated this perceptable change in the sound of the cymbal, it sounds like a phase shift, shortly before Sailors Tale gets underway. It is present in the 30th Ed. CD included in the package. I am unable to compare to my original LP because I temporarily lack a phono preamp.
However, after listening to this excerpt numerous times and to Islands in whole several times, I have come to the conclusion that Frip & Wilson are correct in making this choice: The cymbal is wonderfully recorded and beautifully played and I understand why the decison was made to place this front and center in the mc edition. Or perhaps the "phase shift" was a process effect during one of the bounce-downs and not usable here. Whatever. It does not diminish what they have accomplished. Note - in the stereo edit (hi-res) the cymbal starts hard right in the soundfield and is panned to center, perhaps slightly left of center. But no "phase shifting" or polarity change.
To sum up, this is the best release yet of the hi-res series. A challenging record of challenging times in the history of KC. Hats off to all involved in these releases. The bar keeps getting raised. And thank you for the 96/24 MC versions. It makes a difference.
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