My wife digs '80s/90s country, and she found a few tapes by the Judds and Suzy Bogguss. Not in my repertoire, but pleasing.
ED![Smile :) :)](data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7)
ED
I have a couple of wonderful old tapes that have never, ever seen digital versions.
All time favourite is the Academy Of Ancient Music's version of Vivaldi's 4 seasons, played on authentic instruments as originally written, not played the "modern" way.
Christopher Hogwood is the chap in charge, and it's a 1983 decca version that still sounds amazing to me - the performance is awesome and is to my ears streets ahead of any other version.
just the fact that it was AMPEX would have dissipated the doubts regarding its condition...A friend just gave me a still-sealed reel of Lynn Anderson's Big Girls Don't Cry. The album is from 1968, but I have no way of knowing when the Ampex reel was manufactured.
Sadly, while "still sealed" meant the box couldn't be opened without removing the shrink wrap, the shrink wrap was sufficiently damaged that all that terrific new tape smell had apparently dissipated long ago.
Took a little bit of babysitting to digitize it, but by and large it was fine after possibly as long as 56 years.
The tape would have been released pretty much at the the same time as the record would have been. I have many Columbia Reel To Reel tapes from the 60's (even some from the Columbia Tape Club) and they all sound lovely.A friend just gave me a still-sealed reel of Lynn Anderson's Big Girls Don't Cry. The album is from 1968, but I have no way of knowing when the Ampex reel was manufactured.
Sadly, while "still sealed" meant the box couldn't be opened without removing the shrink wrap, the shrink wrap was sufficiently damaged that all that terrific new tape smell had apparently dissipated long ago.
Took a little bit of babysitting to digitize it, but by and large it was fine after possibly as long as 56 years.
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