Added to the Library of Congress National Recording Registry.
https://www.loc.gov/programs/nation...ng-registry/registry-by-induction-years/2022/
See also:
https://www.quadraphonicquad.com/fo...onal-recording-registry-2018-inductees.26291/
https://music.apple.com/us/album/songs-in-a-minor/256936779
“Songs in A Minor” (album). Alicia Keys. (2001)
“Songs in A Minor” album cover
Courtesy: J Records/Sony
On this album, J Records label head, Clive Davis, afforded singer/songwriter Keys great independence in creating the album she wanted to release.
Under a previous record deal, Keys had written and recorded much of the album, but the label rejected it.
Dissatisfaction with the rejection and the label’s unwillingness to take her seriously led Keys to J Records where Davis’ instinct proved prescient.
Keys has described her influences on the album as a “fusion of my classical training, meshed with what I grew up listening to,” which included the jazz from her mother’s record collection, along with the classic R&B and Hip Hop that was prevalent in her Hell’s Kitchen neighborhood.
Reviewers were quick to point out the sophistication and assurance with which the 20-year-old Keys realized the sound on this album.
Her unaffected vocals were capable expressing feelings from heartbreak to new love, and from righteous women’s empowerment to elegant, stylish yearning.
https://music.apple.com/us/album/bohemian-rhapsody/1440650428?i=1440650711
https://music.apple.com/us/album/reach-out-ill-be-there/1475816828?i=1475818105
Another winner vintage Motown full 6-channel mix listening in 5.1 on the floor.
(Feel free to comment on what I'm missing from above 🌤
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)
Dry and powerful fronts, ambience center, sub-octave bass guitar LFE.
LR backing vocals & flutes + ambience, RR dry tambourine triplets & a delightful discrete rhythm guitar.
“Reach Out, I’ll Be There” (single). The Four Tops. (1966)
The Four Tops
Courtesy: Universal
According to the Motown Museum, “Reach Out, I'll Be There” was the Four Tops’ biggest hit and is considered the vocal group’s theme song.
Recorded in Studio A at Hitsville USA and written and produced by the powerhouse team of Holland-Dozier-Holland, the lyrics grew out of their feeling that women “wanted someone to be there for them, through thick or thin.”
Lamont Dozier said that he wanted to write “a journey of emotions with sustained tension, like a bolero.”
To achieve that, he “alternated the keys, from a minor, Russian feel in the verse to a major, gospel feel in the chorus.”
Levi Stubbs’ impassioned vocal was inspired by an unlikely source: Bob Dylan.
According to Dozier, they were inspired by Dylan’s shout singing style on “Like a Rolling Stone” and wanted lead vocalist Stubbs to sing like that.
To give his vocal added intensity, HDH put Stubbs at the top of his vocal range so he would have to strain a little.
The “galloping” sound, heard prominently at the beginning of the song, is a series of triplet beats struck on the plastic head of a tambourine with no jingles, played by Motown producer Norman Whitfield.
Levi Stubbs improvised the lyric, “Just look over your shoulder.”
It sounded good, so they kept it in.