Living in the Past is my second favorite Tull, closely behind Stand Up. The live tracks, including the added ones on the MoFi 2 CD version, have always left me cold. Live Tull in person is Fantastic, though their live recordings tend not to move me. Benefit would be my third favorite. Obviously, I love the early (second?) period best. BTW: if you dig Ian's flute work, be sure to check out Rahsaan Roland Kirk, who authored "Serenade to a Cuckoo." Kirk is an obsession of mine. He also guested on Joni Mitchell's "For Free." He was able to play multiple woodwinds simultaneously, utilizing a circular breathing method. Kirk clearly influenced Ian.
I recently read some of recording engineer John Burns' comments on the sound of Aqualung, which were included in the 40th Anniversary box's book. Referring to Aqualung: "Ian wanted everything dry. ... After Benefit, which was quite 'swimmy' (reverberant) he wanted the backing track to be dead and dry as a dodo. There was a certain amount of echo on the vocals and guitar (on Aqualung.)"
Benefit begins with "With You There," which is as bouncy as a racquetball court. Yet, it is engaging, and in my estimation, it works. The best sounding Benefit is the UK import LP, which I sadly traded in when I acquired the CD. It has "Alive and Well and Living In," instead of "Teacher," which is included on the US version. Even that pressing leaves much to be desired sonically. I sense that Benefit is mostly forgotten by those other than hard core Tull fans. Still, in my mind, it is THE prime candidate for remastering. Let's keep our fingers crossed.
Sorry to have taken the discussion off topic.
Thanks Linda. Pretty much what I wanted to hear. Benefit (named my first band after that one) has always been my favourite closely followed by Living in the Past and Songs from the Wood. I agree with your assessment of the sound quality as well. A bit of remixing is warranted too I think to remove some of early 70s excesses found therein or in the very least tone them down a little. I find the feedback in "Time for Everything" almost jarring now. Just a reduction in the amplitude of the feedback would be welcome
Tom