Marillion “This Strange Engine” (Deluxe Edition with 5.1 mix out in November!)

[splinter7]

seriously this new mix is his best yet

That isn't saying much

I do have preset that I call "Hunting for Discrete in the Rears" for his mixes. On my system and room, I have to bump the rears up a bit more than your recommendation and I still find it underwhelming.

Perhaps it is jealously that my favorite band with close connections to surround mix geniuses and pioneers chooses to pretty much phone it in.

I would love to purpose a GO-FUND-Marbles-by-Wilson campaign on their FB Site. Just like the 1997 North America TourFund Campaign. But things were so much more civilized back then. The universal fan base all got behind that back in the day and contributed to cover the touring costs of a North American tour without label support.

Today's fanbase that exists on FB at times seems so hostile and sometimes entitled. It isn't the whole group but there is enough ugliness to turn me off from following. Maybe it is because they now have a bigger following than back in their early independent years after the majors let them go. Sorry - I get my coat.

 

[JulesRules]

His stereo mixes are superb.

I don't fully agree with that. The Marillion Weekend releases he's done, for instance, sound perfectly adequate... but not more than that. I often feel like there's a bit of something missing. And the new studio albums he's done also have varied, often tending towards being kind of congested.

 

[splinter7]

I don't fully agree with that.

OK - I won't fully argue with you over that. You could probably also quibble over this: Probably Hunter's greatest contribution is his ability to "assemble" the musical concepts the band lays down in the demo phase. It has been written that he goes over all the tapes after a jam session and begins to see ways to work ideas together.

I will tip my hat to him for the painstaking work he did for the Deluxe version of "Afraid of Sunlight" when he had to recreate elements of the recordings for the Deluxe Edition of Afraid of Sunlight in order to produce the 5.1 surround sound mix. This process was necessary because the original multitrack tapes were incomplete or missing some elements..

 

[JulesRules]

I will tip my hat to him for the painstaking work he did for the Deluxe version of "Afraid of Sunlight" when he had to recreate elements of the recordings for the Deluxe Edition of Afraid of Sunlight in order to produce the 5.1 surround sound mix. This process was necessary because the original multitrack tapes were incomplete or missing some elements..

Agree that Afraid of Sunlight was well done. All the more confusing why Seasons End ended up being notably worse than the original mix.

Probably Hunter's greatest contribution is his ability to "assemble" the musical concepts the band lays down in the demo phase. It has been written that he goes over all the tapes after a jam session and begins to see ways to work ideas together.

It's a daunting task and I'm glad the band has someone willing to do it, it probably also helps to keep tensions down as opposed to when they would fight over little bits (like in the sessions that would lead to Fish's departure). I do think that it has led the band down a path where the songs sometimes don't really cohere as well as in earlier times, but An Hour Before It's Dark was well done from that standpoint with more in terms of reprises and transitions between sections.

 

[splinter7]

@JulesRules - I agree with both of your points there.