This is absolutely divine.
I was wondering for ages about whether or not to buy the beast, as Joni can be great or indifferent - there does not seem to be a middle way.
BUT - this is a new recording, and features a superb orchestral arrangement that perfectly compliments Joni's vocals here - and right from the lush intro of the first track we feel that this is going to be a treat - and it is, all the way through to the finale, a new version of the title track.
It's writen & assembled as that old favourite from the hippy era, a concept album detailing the progress of a relationship from the first flushes through the whole process to the final disillusionment as everything starts to break down.
Beautifully mixed, performed & arranged as well.
Recommended.
While I'd love to hear Joni's original recordings in DVD-A, I won't be buying this one. She's destroyed her voice and lungs by smoking several packs a day (it's virtually impossible to find a picture of Joni without a cigarette). I hears this version of "Both Sides Now" in the movie "Love, Actually" and it was painful. Lines that had been sung in a single breath on the original were broken into two or even three on this recording:
I've looked at love (breath) from both sides now (breath) from give and take (breath) and still somehow...
It's too much to bear to hear an artist with such an insturment do such damage to it. It's as if Nigel Kennedy used his Stradivarious to hammer in a nail.
I don't have a clue how anybody so brilliant could smoke, but that is another matter.
Chris
This one is an interesting recording. It's a Direct Stream Digital (DSD) recording mixed to 5.1 Surround Sound by Frank Filipetti of James Taylor "Hourglass" fame.
You reckon?
On my copy, it states that it was
"remixed to Surround Sound by Larry Klein & Allen Sides, Ocean Way Studios".
DVD-Audio mastered by Bob Ludwig at Gateway mastering.
No mention of DSD (you cannot remix DSD unless it is first turned into PCM, as it's not possible to EQ/Mix in single bit systems, as the very act of mixing or using any form of processing turns the whole thing multi-bit) and no mention of Frank Filipetti either.
It's possible the PCM mix was then encoded to DSD, but not the other way around. It might (I do not know for sure) be feasible to mix a DSD stream without it going PCM/Multibit nowadays, but definitely not when this was done. It is one of the single biggest arguments against DSD in general (The fact that by definition, any mixing digitally has to be multi-bit)
Hate it.
Hate it.
Musically or mix or both? I've played it a few times. Not exactly one I go to often.
Why, why, why did they pick this one for the solitary hi-rez release? Surely if they are trying to attract customers to a new medium they could have released something a little more commercial (Hits?) as well?
This is a poor mix. I see two people gave it a one, but only one posters name shows up.