Please post your comments, thoughts and observations.......
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two gripes to get out of the way -
i.)..the centre channel is underused.. hardly anything happens in it.. I like Billie's distinctive voice and I'd prefer to have her lead vocal hard in the centre with lead vocal ambience spread across the front L&R..
..and ii.) the disc is mastered a bit bright.. in certain spots percussion crashes etc are just that bit too overcooked for my tastes.. and the rockier material may have benefitted from Hi-Res..
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The answer to the above is Brad. This was his disc and even though DTS wanted us to have a center channel, this was done in quad way before the 5.1 insanity was born. This was ready made like the mystic moods which he also owned, and he could get them ready for a start on a DTS catalog. Quad when done correct is much better than the center channel destroying the soundfield, and that was his way of thought also. And the brightness thing was his too, Abraxsas comes to mind. I got to give some feedback when around, and i remember dialing in Stills for him, which still sounds pretty good. I think his hearing was being affected a bit, it was only a couple years later that brain cancer took his life.
The timeline might be good if we could post it somewhere. Maybe i should do some sort of timeline about the quickness that things changed during that era that the Millennium and DTS began the 5.1 era. There was no hi res anything back then, In 1996 that was fantasy, the chips were just being developed for that. After the first iteration of the Mill, i was asked by the fellow designing chips at Motorola if we wanted to do the next generation first, test pigs again. The chips to do both DTS and Dolby on one chip had just been developed in 1997-8. Wanted to know if we wanted it, we had 6 months before they gave it to Denon and the rest. The time was too short and adds to expensive. Interesting time.
Listening to this again right now and still agree with my assessment from 10 years ago. What an incredible album. If, for some reason, you've missed this so far, you owe it to yourself to track down a copy. Also, the poems in the booklet are thoughtful little gems.This is a strong mix, and the sound of the disc is excellent. That alone makes it an interesting title, but for me, what makes it an absolute winner is that this album is frickin brilliant. I am so very much in love with this disc. The music, Billie's great voice, and the poetic lyrics make this a sublime listen from start to finish, and a real emotional experience. I highly (highly!!) recommend this to anybody who likes music.
10 for the music, 8 for it being DTS, 9 for the mix and sound (just because 10 is reserved for Brothers in Arms, Avalon and the like). 9 overall.