I just picked this up today - "used" @ FYE for $9.99 ("not really used"). This one brings me back a bit - I first saw Nelly performing at an underground club in the Village (NYC) called the Fez. And when I say underground - it was 2 stories below street level - an old speakeasy - when the #6 subway train came rolling by, the entertainment had to pause until it passed. But I digress...Nelly was and still is a square peg. Even at the age of 20, she dressed like someone out of an old Ross Hunter 50's melodrama and in the blink of an eye could go from a Doris Day style torch song to throwing down (quite capably I might add) with the local street rappers she would invite onstage. She was definitely a stage brat and her smart-alecky, New Yorker attitude was worn with more than a little bit of ironic pride. She signed with Sony shortly after I first saw her, and at the time she was being groomed to be their Norah Jones (the album's name is a small swipe at Norah's "Come Away With Me") - complete with the big coming out party at SXSW in Austin, big ad campaign, etc - problem was, although Nelly was only 20 or so at the time - she had her own plan, and was not to be made over in anyone's likeness. She clashed brutally with the honchos at Sony and eventually was let go to make music on her own and in her own unique way. She put out a lovely Doris Day tribute album a year or so ago - and if that's your cup o' tea - you should check it out.
This album is kind of Nelly learning how to use a recording studio - remarkably enough, under the tutelage of long time Beatle's engineer Geoff Emerick - who co-produced and engineered the album ( a 2 CD set!) - not a bad pedigree for a debut album! She is a talented, multi - instrumentalist and plays and sings pretty much every keyboard (piano, vibes, synths, glockenspiel, vibes, etc) and vocal part on the album. This album definitely has one foot firmly planted in the Broadway/cabaret/singer-songwriter mode and adds contemporary jazz/rock touches when needed - perhaps an acquired taste, but a rewarding one nonetheless.
This DualDisc came out just as SonyBMG was starting to promote the doomed format - it even comes in the dreaded "push button" jewel case which was designed specifically for Dual Disc - but was so expensive and hard to manufacture in any quantity, hat it died even before DualDisc did. As Nelly was a "priority new artist" and DualDisc was the new thang of the moment, the album was released again (about 6 months later) in this format - not what you would call a likely candidate for the surround treatment, but as others here have noted, an excellent and discrete mix - albeit in DD 5.1 only. It also includes a live concert from SF featuring Nelly in her more natural setting. If you can find a copy of this, it is a worthwhile venture IMO. I'll give it a 9.