Nice remembrance posted yesterday to
Jazz Times. And Jeffrey Siegel put together a tribute show for his
Straight No Chaser podcast. His intro reminded me that Mays had recorded with EW&F and Rickie Lee Jones (didn't know that) as well as Joni Mitchell (did know that). But these words really spoke to me:
Lyle Mays played an important role in my jazz education. For people looking for innovative music in the Seventies, the music of the Pat Metheny Group, co-founded by Metheny and Mays, was a revalation. From the soaring sound of their self-titled "White Album" on ECM through their evolution as a band - and they WERE a band - that mixed electric jazz, rock, world and folk influences into a sound unlike any I had ever heard.
While Pat was the center of attention, Lyle was quietly the part that held things together, playing piano and keyboards to form the foundation for his guitarist's explorations. He co-wrote tunes for the Group, many of which were among their finest. It was his orchestrations, arrangements, and harmonization for the band. As Falls Wichita, So Falls Wichita Falls, a collaboration with Metheny was a revelation to me, taking me places I did not know were possible musically.