Rolling Stones' "40 Licks" Premieres on Dolby Atmos

QuadraphonicQuad

Help Support QuadraphonicQuad:

This site may earn a commission from merchant affiliate links, including eBay, Amazon, and others.
Screenshot_2023-07-31-22-47-41-17_40deb401b9ffe8e1df2f1cc5ba480b12.jpg

-- Niko Bolas, producer/mixer
https://www.soundonsound.com/music-business/atmos-village
 
I believe getting the whole article is helpful to see where "He (Niko)" is coming from in all of this. Personally I feel an album like Sticky Fingers could be mixed to be very discrete and immersive if done by someone else that really gets it... (Steven Wilson) perhaps :)
For the most part the Rolling Stones multichannel mixes have been weak shit IMO; of course I'm no professional mix engineer either, just a music lover.

Niko begins by saying:

ā€œI spend quite a lot of time referencing binaural both in headphones and outā€ says producer/mixer Niko Bolas. ā€œIā€™m very much a ā€˜lowest common denominatorā€™ person. I have my Auratones connected to the binaural outputs because when a punter hits Play on his phone, he just wants to hear the title. Realising that itā€™s spatial is an afterthought. So, if you donā€™t mix for that person, theyā€™re going to hear something where the groove isnā€™t there if you didnā€™t balance the bottomā€‘end correctly.

ā€œWhen I first started doing immersive mixing, I was afraid to use it. I didnā€™t want anything behind me, but then you start getting into it. The back wall is something that really exists in in the real world: the guy sounding like heā€™s playing ā€˜over thereā€™, really happens. In general, my choices are that I will go against the walls with rhythm, like percussion and drums, and sometimes Iā€™ll put percussion behind me, whereas Iā€™ll take the body of the music ā€” guitars and keyboards ā€” and move them in closer to you. My reference is Neil Young. He told me that he would only do Atmos if I could make him feel like he was ā€˜sitting in the middle of monoā€™."

:unsure:


Now, am I interpreting this incorrectly?
 
So Ed Stasium did the Talking Heads 77 Atmos mix? I thought ET Thorgren & Jerry Harrison got the credit for all the Heads Atmos mixes...
Yeah--just learning about this, myself. (After reading the good things @sjcorne had to say about it, I figured I should have another listen to the mix myself, and Amazon had a 30% off coupon last weekend, and I was already over budget for the holiday season, so I figured "what's another few bucks?"....)

Anyway: who's Ed Stasium when he's at home? Thanks to @AudiophileStyle, I know he did the Atmos mix of Tim, but what else? (Back in 2022, Jerry Harrison said only that Stasium had "contributed to the updated mixes" of the catalog. And on a 2023 Bobby Owsinski podcast, Stasium makes it sound like he, Harrison, and Thorngren were equal partners in the process--although later he also says in passing that he "did all of '77." [Start around 32:00.]) So what's the full story?)
 
I have not yet picked up the new T Heads 77, but given Ed Stasiumā€™s resume as an engineer, mixer and producer, I am excited. The list of those with whom he has worked includes:

T Heads
Ramones
Peter Wolf
Living Colour
Smithereens
Jeff Healey
Hoodoo Gurus
Motorhead
The Tea Party
The Misfits

Loved his work with these artists and others, especially on ā€œVividā€ by L Colour and ā€œ11ā€ by the Smithereens. He is a rock and roll master, as was his contemporary, the late, great Vic Maile.
 
Last edited:
Back
Top