Miles Davis = Quadblocked by MFSL, no?
Yeah, unfortunately...
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Miles Davis = Quadblocked by MFSL, no?
Brian, I'm well aware of that. The multichannel pool, Im sure, is serverely diminished by the factors you've expressed but methinks titles like Mannheim Steamroller 8 [where a perfectly exquisite DVD~A was still available] was not a good direction for AF to pursue.
Again, we at QQ have NO clue as to what sells and what does not but have noted that some of AF's multichannel SACDs have shown up at Acoustic Sounds for $10 which is a clear indication of poor sales, etc.
At this juncture, I think we are also aware that poor choices tend to diminish the possibility of healthy doses of increased multichannel releases and are thus concerned that they are 'somewhat' chosen with a modicum of wisdom.
HeMan Hedgetrimmer Q8.. what were they thinking.. (does QQ have a face palm emoticon?)..
only joking..
..seriously, I've moved on from their couple of screw ups.. whenever I put on those SACDs of things like The Doors, Bread, Billy Cobham, Earth Wind & Fire, Laura Nyro, Labelle, Loggins & Messina, Herbie Hancock, Sly Stone, Blue Öyster Cult.. I just think; "wow".. AF have done some wonderful surround stuff haven't they!? :worthy
Man - I vote for something totally different. I'd like a different artist all together. Nothing more exciting that getting a new QUAD SACD from an artist that hasn't been offered yet.
I want proven albums by artists with a track record for moving units. Gold and platinum, with chart hits if possible. Jeff Beck - Wired in quad from Sony is so welcome even if we have three other quads from Beck already. I'd take Wired over any Seals and Crofts, Carly Simon, James Taylor, Gordon Lightfoot, Janis Ian, or Phebe Snow. But I know that's just me.
I'm so excited about Wired having the potential to be the finest quad to come out this year. That is why I'm fine with AF taking some time between 4.0 releases. My current dream release is B$B SACD repressed (by AF) with quad, then Ten Years After - Space in Time, and then Sony Japan threading up the Caravanseria Quad reel for another $50 SACD. Anything like this for a Christmas or New Year announcement is fine by me.
Last year towards the end of the year I was hoping for Paranoid, Court & Spark, and Tres Hombres. And we got Labelle, Billy Joel, and Judy Collins instead. So it's fine to wait and see. Rhino with the Chicago box, and Sony with that elusive quad Wired goes a long way to holding me over (for another month anyway).
If the red circle that states "4.0 surround mix" is included can be blamed for an under-performing title, then just having a surround layer on the disc can as well be blamed for less than stellar sales.the only thing I do kinda struggle with is that the inclusion of Quad on a title that doesn't shift units would be cited as the reason for its failure.. I mean, if it's an inferior album or an artist that no-one cares about these days blame it on that, it's a bit rotten to make Quad the scapegoat isn't it!?
I thought my idea of RHINO releasing a QUAD POTPOURRI boxset of unreleased and existent QUAD/5.1 titles would've been a great idea [and I expressed this to Dr. Rhino (?)]. Rhino owns the masters and if the Chicago Quadio boxset was any indication, they could do it cheaply and release as BD~As all at once instead of individually. There'd be something for everyone and if you didn't like certain titles you could put them on ebay or sell/trade them through the various internet sites.
It does seem that RHINO/Warner is not forthcoming in releasing any more Quad/5.1 titles for reissue........Hope I'm Wrong!
And what's up with Universal???? NADA!
If the red circle that states "4.0 surround mix" is included can be blamed for an under-performing title, then just having a surround layer on the disc can as well be blamed for less than stellar sales.
But without knowing which AF 4.0 titles did well and which did not do as well, it's hard to make suggestions anymore. And I'm going to find out how much more expensive it is to include that precious 4.0 mix on an SACD. Is it $2,000 extra dollars? Or is it a staggering $5,800 more (per title) for quad inclusion. It's not really anybody's business I know, but I want to know.
Geepers, I'm really rambling tonight............
The Chicago box was a time and money investment. And I think we will see more things coming from Warner/Rhino. They should go slow, and check the discs really well before pressing too.
I am watching keenly for what the Paranoid quad fold-down is like on this new Warner deluxe edition. I just want to know if they brought out that quad master, and used it. Because if they did, then they also captured it to 24/192 kHz digital whike they were at it. Which means it's going to arrive a bit later.
The labels know about these gems in the vaults, and they know that there really are not that many of them.
A lot of stereo 'purists' are under the distinct
impression that adding a multichannel layer to an SACD somehow diminishes the overall sound. A reason that SHM~SACDs sold so well. They didn't even include a RBCD layer and thus appealed to those purists.
Whether that's true or not is anyone's guess.
Unfortunately, ALL the US reissue companies are obsessed with that all important STEREO layer. Remember, us Quaddies are in a distinct minority.
Quad is a delicacy, something special. A priveliged listening position. I think it takes an advanced developed brain to listen to several channels at the same time. It's the way I listen to live music in fact.
And some of these 70s quad mixes are just wonderfully thought out. It's sad that they have to sit there un-reissued. I am quite thankful for AF getting some of the really good ones out on SACD.
Yeah. That was weird to not include the Bette Midler quad when they did the DE of that title being that it's another stellar Q mix, one hell of a mix in fact.
It must be just too expensive in some cases, like AF says. It adds thousands to the cost of the project, and Bette is not exactly moving the units in this era.
Thank god for the R-trax Q4 conversion which is wonderful.
I thought my idea of RHINO releasing a QUAD POTPOURRI boxset of unreleased and existent QUAD/5.1 titles would've been a great idea [and I expressed this to Dr. Rhino (?)]. Rhino owns the masters and if the Chicago Quadio boxset was any indication, they could do it cheaply and release as BD~As all at once instead of individually. There'd be something for everyone and if you didn't like certain titles you could put them on ebay or sell/trade them through the various internet sites.
It does seem that RHINO/Warner is not forthcoming in releasing any more Quad/5.1 titles for reissue........Hope I'm Wrong!
And what's up with Universal???? NADA!
what could be purer than going back to the mutlitracks with a 5.1 mix.. and Quads even purer, no pesky centre channel or sub!
I bought a toggle switch so that o could turn off my center chan with the flip of a switch rather than messing with amp. It turns out it's too stiff, and I need a more relaxed switch for ease of use.
Anyway I think I like quad as well as 5.1. It depends more on the album and mix than that center speaker to me.
Yeah. That was weird to not include the Bette Midler quad when they did the DE of that title being that it's another stellar Q mix, one hell of a mix in fact.
It must be just too expensive in some cases, like AF says. It adds thousands to the cost of the project, and Bette is not exactly moving the units in this era.
Thank god for the R-trax Q4 conversion which is wonderful.
Lo and Behold, Bette Midler is returning to Broadway in the spring to do a revival of Hello Dolly. Bette's still HOT and this should be a hoot. Last time I saw Hello Dolly Pearl Bailey took the lead and she was brilliant but this role was made for Bette.
And you, quicksrt and myself ALL agree that The Divine Miss M is a natural for QUAD. I have in on QUAD Open Reel and it really is a brilliant debut album and sounds 'delicious' in four channel!:banana::banana::banana::banana:
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