Did you mean Steven Wilson ?Isn't Stephen Taylor nearing the summit on Rushmore?
Did you mean Steven Wilson ?Isn't Stephen Taylor nearing the summit on Rushmore?
i was worried things might be heading that way when all the Schmatmos concoctions of tracks that should've been remixes from multitracks rather than fudges from Stereo started appearing but there's been tons of genuine Atmos mixes streaming that are leaps and bounds better than the majority of Silverline faux-point-1 dreck imhoThanks dont know that one at all but I'll keep it in mind
This new Atmos fad is starting to remind me of the old Silverline production model.....
i think they mean the gentleman who does all the Be Bop Deluxe, Van Der Graaf Generator., etc.. new mixes and 5.1's?Did you mean Steven Wilson ?
OK, thanks, I'm not familiar with the name.i think they mean the gentleman who does all the Be Bop Deluxe, Van Der Graaf Generator., etc.. new mixes and 5.1's?
i was worried things might be heading that way when all the Schmatmos concoctions of tracks that should've been remixes from multitracks rather than fudges from Stereo started appearing but there's been tons of genuine Atmos mixes streaming that are leaps and bounds better than the majority of Silverline faux-point-1 dreck imho
edit: also fwiw (and not wanting to tempt fate! ) it seems like there's almost no new Schmatmos stuff on Apple lately?
i honestly think the way they are handling the EJ Atmos mixes right now don't entirely do Greg Penny justice.. there's so much beautiful Atmos activity going on (especially in the creative use of the Sides, Rears and Heights) on some of those tracks they deserve better than the bandwidth limited streaming offering they only have to date and should see some sort of physical release also.. let's hope for a good outcome someday before we're all dead/deaf!Bruce Soord
Soord, SW, Ryan Ulyate, and Greg Penny are probably my Mount Rushmore of Atmos mixers.
anytime! i enjoyed some of those mixes, i just get so lazy to drag out the box sets everytime to spin the DVDs and haven't got round to ripping any of them.. yet!OK, thanks, I'm not familiar with the name.
yes it's a very encouraging development if they could offer the option of higher bitrate Atmos (or even in one's wildest dreams, Lossless Atmos maybe!?) streaming to those with good enough connections and maybe for select albums (at the risk of sounding like a sonic snob, a kind of "Premium Spatial Audio" offering, almost?) that'd be the icing on an already tasty cakeNot only that, a lot of it was pulled. So there appears to be some effort to enforce Apple's no upmix policy.
I try not to fall behind anymore.anytime! i enjoyed some of those mixes, i just get so lazy to drag out the box sets everytime to spin the DVDs and haven't got round to ripping any of them.. yet!
that makes a lot of sense! i shall verily extract my digit and emulate your behaviour!I try not to fall behind anymore.
Many if not most times I'll rip a new disc before I've ever listened to it and then only hear my computers rip.
I agree but the fact that it encourages people to actually lay down the cash for a hard disc or bit-perfect download isn't a completely bad thing.yes it's a very encouraging development if they could offer the option of higher bitrate Atmos (or even in one's wildest dreams, Lossless Atmos maybe!?) streaming to those with good enough connections and maybe for select albums (at the risk of sounding like a sonic snob, a kind of "Premium Spatial Audio" offering, almost?) that'd be the icing on an already tasty cake
Kurt Martinez who is Head Dolby Engineer at Dean Street Studios in Soho, London; was responsible for the ATMOS mix, and used new plug-ins to emulate the original desk to achieve the new mix.
this is a VIrgo's motto..Then you are doing it wrong.
Steven Wilson chief among themWhat’s wrong with using saturation plugins to emulate the sound of tape and/or the original mixing console used? I’d imagine that just about anyone in the business of remixing classic albums is doing this.
Grrrrrrrr!Probably - much like how Michael Brauer gets the credit for Bob Dylan's Time Out Of Mind Atmos mix, but the finer print makes it sound like Fernando Reyes did the bulk of the work.
Regardless of whose work it is, this TYA Atmos mix isn't anything to write home about (at least in my opinion). It's a little cleaner-sounding and less hissy than the quad, but the dynamics seem kinda toned down and the surround effect is much more conservative. For instance I miss all the crazy backwards tape and sitar-like effects throughout "Let The Sky Fall" that were prominent in the quad, they're like ghosts in the mix on the Atmos (maybe that's truer to the stereo version?).
Just goes to show....
And I still don't have mine.$80 to $122 going prices and the darn things are barely out of the shipping mailers. Just goes to show....
https://www.discogs.com/sell/release/26450465
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