How's that one sound Brett? I have it in my "cart" from Vocalion.
How's that one sound Brett? I have it in my "cart" from Vocalion.
It sounds great, Gene. The rears are discrete and immersive. The sound is nice and full. The music is excellent, of course. The performance is first rate.How's that one sound Brett? I have it in my "cart" from Vocalion.
An excellent Brett [Lute] Recommendation and only $8 delivered, brand new, from AmazonUS in a pristine Super Audio CD Case. Performances are robust and extremely well recorded [DSD 5.1] with tactile ambient rears:
ありがとう, Brett!
View attachment 46539
Just picked this one up at the record shop this morning and now giving it a spin in honor of old Ludwig’s 250th anniversary. Thank the heavens for TACET
Gee, Thanks Brett...250 years old but who's counting?..... LvB
I took voice lessons from one of the tenors in that group for five years....Capella Romana...
WOW! That could be pretty cool if done right. Do let us know what you think of it.I just ordered Lost Voices from Hagia Sophia from Capella Romana. It uses acoustic synthesis to produce a multichannel mix (including Atmos channels apparently) to recreate the acoustic of Hagia Sophia. We'll see how it works out. The release has a stereo CD and a Bluray with multichannel , etc. Musically, Capella Romana specializes in less well-known Eastern Christian chant and choral music.
I took voice lessons from one of the tenors in that group for five years.
I just ordered Lost Voices from Hagia Sophia from Capella Romana. It uses acoustic synthesis to produce a multichannel mix (including Atmos channels apparently) to recreate the acoustic of Hagia Sophia. We'll see how it works out. The release has a stereo CD and a Bluray with multichannel , etc. Musically, Capella Romana specializes in less well-known Eastern Christian chant and choral music.
The Bernstein Boston recording of the Liszt "Faust" Symphony was recorded 8-track on one-inch tape in a quad configuration in August, 1976 in Symphony Hall after a performance at Tanglewood the Sunday before. I was the producer and I edited the 8-track originals in Boston shortly after the recording. However, I left the company shortly after that, and the edited 8-track originals were sent back to Hannover where Günter Hermanns mixed them straight to stereo for LP release. I do not believe that a 4-track quad mix was ever done.That actually is pretty crazy - it's a wonderful piece - total bombast in the best way possible. It's one of those pieces I actually heard live (NYP with Masur) and then went back to the recordings to listen more.
I'll go further - there really isn't a good multichannel version for many of Liszt's orchestral works, and this seems like a bizarre oversight. We do have a few versions of the piano concertos, which you'd expect, and the Dante Symphony (which is really one of his lesser works, although I do appreciate its availability), but we don't have one of his Faust Symphony or the Hungarian Rhapsodies, which were long staples of the repertoire. And while I appreciate the older stereo recordings being reissued on BD-A and SACD (including most famously the below), there's a difference in what you get with a modern high-res multichannel recording.
Of course, if Dutton or DG itself reissued Bernstein's recording of A Faust Symphony from Boston, which I understand is a Thomas Mowrey active quad mix, never heard by the public, I wouldn't complain.
Enter your email address to join: