I finally relented and bought this, fearful it was going to sound like Alan Williams's previous, countrified solo album, Evidence Unearthed, which I'd checked out on the internet. I'm very happy to report this is far more in keeping with Birdsong at Morning. So if, like me, you've been holding back on that score -- fear not, you can buy with confidence. In fact, this could very well be Birdsong at Morning/Alan Williams's best work to date. And yes, the surround mix (I've been listening to LPCM) is excellent. All the bonus stuff (videos, one gorgeously stripped back song and instrumentals) are also in surround.
The lyrics and commentary features are also a nice touch (the lyrics are still there with the instrumentals, with the lines being highlighted as the music goes -- karaoke!). The written commentary is quite informative and often in sync with the bit of music the comments are referring to, and he comes across as quite a likeable, humble character. Someone does need to point out to him, though, there are only three dots in an ellipsis. (Come on Alan, you're a uni teacher.)
But in truth, the only wee bit of irksomeness (for a solo album with guest artists, in this day and age) is the lack of any significant female contribution to the performances (apart from some members in the string section). However, I'm not about to cut back points for that, the focus of this forum is on the surround mix within the context of the overall musical and package presentation. (And I suppose he at least mentions Darleen a few times in his song comments. She's clearly an important influence.)
This is an excellent album, well put together and beautifully mixed. Graceful, relaxed, charming music, with artistry and a few punches now and then ... oh, and I love the guitar playing portraits in one of the videos.
10.
