Voted 10. Wilson said he sought to make a mix to demonstrate what the Atmos format is capable of, and I think he succeeded here. Very good use of the heights and rears channels.
This is album is a return to form for Wilson, where he seems to be slowly but steadily moving back to the prog rock sound he became known for. This is the best Wilson studio album since Hand Cannot Erase, in my opinion. But the Harmony Codex retains some of the electronic and pop elements of the Future Bites, and that actually works here, since the synth pads and electronic percussion provide a lot of layered material to put in different spots in the Atmos field. The Future Bites didn’t do much for me in stereo but was saved by a great Atmos mix, whereas the Harmony Codex is a very good album that I enjoyed a great deal in stereo before I got my Atmos setup. Now I understand the hype.
The title track was the one song that I just couldn’t get into when I heard the stereo mix only, but the Atmos mix made me realize why the title track is actually awesome. So much cool spacey stuff happening all over the room, you feel like you’re in some sort of weird 3D sonic movie. Other standout tracks include Inclination, Beautiful Scarecrow, Impossible Tightrope, and Staircase. Impossible Tightrope in particular is reminiscent of the great instrumental musicianship of the Raven That Refused to Sing album. My only complaint is that I just wish that all the music videos that came out on YouTube had been included on the Blu-ray.