Coming from XTC's home town, I'm slightly embarrassed to say that they completely passed me by back in the day.
I was far too busy with what I considered to be the more serious music of Yes, Genesis, Pink Floyd etc. But my tastes have matured with age, and I now think I have a very eclectic appreciation (and collection.) I should add that one of the many things I love about surround music is that appreciation of a good mix and production can often (even should) come first - over and above genre and musical style; life in surround encourages us to broaden our musical horizons!
With this in mind, I bought all of the XTC 5.1 remixes to date, purely on the strength of SW mixing them. But I haven't reviewed them until now. Getting my new AV/Dirac system has encouraged me to dig back into the material I haven't played in a long time, and this afternoon it was the turn of "Drums and Wires." The rest of the XTC surround mixes will come over the next few days/weeks.
This entire surround package is immense in every respect. The vast amount of material on the Blu Ray, and for such a stupidly cheap price, is reason alone to buy it! The whole thirteen song album plus another eleven bonus songs all mixed in surround is just the start of the package, but obviously the reason we're all here.
The fidelity of the production is phenomenal - someone must have kept those master tapes in great condition, or spent a long time cleaning them up, and the SW surround mixes are everything you would expect them to be; tasteful, dynamic, enveloping and very much in keeping with the groove of the songs. It's a sonic masterpiece and a real delight to play on a good, well set up surround system.
I've also found an unexpected appreciation for the material itself. Sure, it is "of it's time" to some degree, but it's eclectic with shades of Ska, Punk, Indie and even a bit of West Coast thrown in, but I'm also hearing a lot of progressive stuff, in the true, boundary-pushing sense of prog. Maybe I shouldn't be suprised by this, as Dave Gregory was such a good fit into Big Big Train, and his superb but, sadly, short lived "Tin Spirits" project was prog as prog can be.
Easily a ten, and it leaves me quite excited at the prospect of going back and listening to the rest of the 5.1 releases in their catalogue.