Indeed he does. Anyone wanting to hear the original 45's at their finest in mono, should check out RCA's Gold Standard series. Some of those Elvis, Sedaka, Sam Cooke reissue pressings have a fuller, nicer sound than many of the originals did. Presumably they were cut from the 1st gen mono masters, but without the compression added to the 45 and Lp editions.
Sedaka in stereo has been strange at times, though. I always thought most were a bit rough in the upper mids and harsh and sibilant in the highs, resulting in a sound you really have to tweak at home to tolerate. Back in the '80s Ron Furmanek remixed a few tracks in stereo for comps, and the difference was startling.
Recently picked up several nice mono's, but one unexpected dud. Landed a promo pressing of the Buckinghams' TIME & CHARGES ('67), which had a mono cover, demo sticker, and red mono label, but was in fact, in stereo. Shades of Mercury! Not only a hidden stereo pressing, but a mono label, too. I have a true mono pressing up north, but for five bucks, figured it wouldn't hurt to have another one. Alas!
On the other hand, forgot I had the Carnegie Hall 10-inch on Birdland, the Parker & Dizzy Gillespie '47 concert. This one, in the past few years, has gone at auction anywhere from $100 to $500 (!), although I suspect it's not as rare as claimed. Found a copy for a buck last year at a Virginia thrift (along with European 10-inchers from Billie Holiday, Duke Ellington, more Diz, a few red wax Brubeck's on Fantasy). Amazing how nice those old pressings sound, and most of the surface noise for the older material is from the source, not the pressing.
ED
Sedaka in stereo has been strange at times, though. I always thought most were a bit rough in the upper mids and harsh and sibilant in the highs, resulting in a sound you really have to tweak at home to tolerate. Back in the '80s Ron Furmanek remixed a few tracks in stereo for comps, and the difference was startling.
Recently picked up several nice mono's, but one unexpected dud. Landed a promo pressing of the Buckinghams' TIME & CHARGES ('67), which had a mono cover, demo sticker, and red mono label, but was in fact, in stereo. Shades of Mercury! Not only a hidden stereo pressing, but a mono label, too. I have a true mono pressing up north, but for five bucks, figured it wouldn't hurt to have another one. Alas!
On the other hand, forgot I had the Carnegie Hall 10-inch on Birdland, the Parker & Dizzy Gillespie '47 concert. This one, in the past few years, has gone at auction anywhere from $100 to $500 (!), although I suspect it's not as rare as claimed. Found a copy for a buck last year at a Virginia thrift (along with European 10-inchers from Billie Holiday, Duke Ellington, more Diz, a few red wax Brubeck's on Fantasy). Amazing how nice those old pressings sound, and most of the surface noise for the older material is from the source, not the pressing.
ED