a question for QQ members who have the Quad of this: Are the rears as quiet on the Q8 of this Quad (*) as they are on this SACD?
also how much ambience & reverberation of the Cathedral it was recorded in is present in the original Quad?
(*relative to the fronts, I mean..)
I've always been impressed by this disc but when you start to pick it apart and scrutinise what is going on in each channel, there's nowhere near as much happening in the rears as in the fronts - and I'm not even sure how discrete some of that rear channel activity is.. which is not what I was expecting.
the front to back balance seems better in the Surround presentation of the E Power Biggs Rheinberger Concertos Quad SACD which Dutton Vocalion have recently released, imho..
despite the fact that on that one there's a whole orchestra competing for your attention with Ernie's organ, whereas here you'd think with an organ in each channel it'd be easier to get a more even spread around all 4 speakers with a Quad mix of these performances in the Cathedral at Freiburg.. hmm..
fwiw, I tried out all the other Sony Single Layer Classical SACDs that were previously released as Quads that I could find
(they are; Bartok Concerto For Orchestra & Miraculous Mandarin conducted by Boulez.. Holst Planets & Britten Four Sea Interludes - Bernstein... Ravel La Valse/Mother Goose conducted by Boulez... Tchaikovsky Symphony No.4 - Bernstein.. Rodrigo: Concierto de Aranjuez / Villa Lobos: Concerto For Guitar & Small Orchestra - John Williams)
..and none of them were very Quad-y.. which similarly was not what I was expecting.
is it possible the team who worked on these Surround SACDs for Sony back then (Engineer Richard King and Producer Louise De La Fuente was the duo that did all but the Boulez; Ravel which was Produced by Thomas Z.Shepard & Engineered by Charles Harbutt) mucked about with the channel balance and wrecked the original Quad, or just used the Stereo and upmixed it? (in some cases that is what it sounds like).
back to this SACD and I have to say it's a shame they added that faux centre channel while they were at it.. it seems to be virtually as loud as the rears at times (its not as loud as the fronts but still found it a borderline distraction on occasion) and to me added nothing to the mix.
if I'd rated this before checking out the individual channels I'd have given it a high score, sound quality is good, its a bit louder than the mastering on the Vocalion E Power Biggs / Hamburglar SACD but still impressive.. as it is I'm going to have to abstain until I can check out and compare this with the Quad from Q8 because right now I'm kinda left wondering if the people who transferred this to SACD didn't in fact fiddle fart about with it.