Jim the Oldbie
My right elbow hurts.
Friday night, just got paid - time to order some more great music!
lmao! I wish I would wait until I'm paid to buy music....I just buy it and figure out the collateral damage later....Friday night, just got paid - time to order some more great music!
I just ordered one myself. Thanks for the heads-up. Even though I have the US SACD, I am a sucker for these 7" repackaging. If they would ever see to do Turnstiles and Piano Man, I would be totally stoked!
Sony Japan has the album listed on their site, with pics and description of the complete package
https://www.sonymusicshop.jp/m/item/itemShw.php?site=S&cd=SICP000010123
What the heck is DSD 264? I’ve never heard of it. Normally, the 2.8224 MHz sampling rate doubles (64 times the Compact Disc sampling rate...64, 128, 256, etc.
Sony Japan has the album listed on their site, with pics and description of the complete package
https://www.sonymusicshop.jp/m/item/itemShw.php?site=S&cd=SICP000010123
I hear ya man. I do that sometimes too - just not this particular time.lmao! I wish I would wait until I'm paid to buy music....I just buy it and figure out the collateral damage later....
Quad DSD is DSD256. Above that is DSD512 and DSD1024, though good luck trying to find any music in those sampling rates. Of course, there is always upsampling with software like HQPlayer.What the heck is DSD 264? I’ve never heard of it. Normally, the 2.8224 MHz sampling rate doubles (64 times the Compact Disc sampling rate...64, 128, 256, etc.
Nothing else in the pipeline other than the original Quadraphonic mix of Mile Davis double album "Bitches Brew" you mean.This is good news I think...the old Sony SACD was really good and hard to come by. I paid like $50 for my sealed copy maybe 4 or 5 years ago.
...or, it could just be a one-off like Carole King's Tapestry, with nothing else in the pipeline. Who knows?
Concensus among audiophiles listening to DSD and engineers recording in DSD is that DSD256 is like listening to the original master. If you start with the original tapes, do a digital conversion to DSD256 and then remaster from that source then you can potentially have the best that SACD can possibly offer. Essentially no one records in x8(DSD512) or x16(DSD1024).DSD 64 is good enough for me but I’ve heard 128 (x2 DSD) is better and more practical because it pushes the quantization noise up even further. Not sure what benefit, if any, of x4 or x8, would be. Because I use Bass Mgmt along with Room Correction software, DSD gets converted to PCM anyway. And that’s a whole ’nother’ discussion.
As does the OPPO 205 on DSD128.The Chord BluMK2 and Chord Hugo M Scalar convert DSD to PCM.
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