While we wait for release news, I thought I'd mention this. I recently bought Curepedia, an encyclopaedia by Simon Price of everything related to The Cure. When I opened it at random I found this under D:
(Perhaps he can renew his association with Robert Smith and convince him to release some surround. And I'm sure there are some reading this who are thinking the same about The Enid!)Dutton, Michael
Michael Dutton is a sound engineer who began his career at Morgan Studios in the late 1970s. Three Imaginary Boys by The Cure was only his fourth job, having cut his teeth providing 'tapes and tea' for The Enid on Aerie Faerie Nonsense in 1977. He also engineered 'Boys Don't Cry', Seventeen Seconds and Faith, as well as Associates' The Affectionate Punch and The Passions' Michael & Miranda - basically, anything that came through Morgan on Fiction Records and involved Chris Parry or Mike Hedges. Not long after his final sessions with The Cure, Dutton switched his attention to an entirely different genre and became an acclaimed sound engineer in the world of classical music, working with the likes of Michael Nyman and the Balanescu Quartet and overseeing new recordings of the works of Elgar, Delius, Vaughan Williams, Prokofiev and Stravinsky. He also reissues vintage classical and jazz recordings on his labels Dutton Epoch, Vocalion and Dutton.