- Joined
- Jan 9, 2013
- Messages
- 25,743
Well, I don't want anything emanating from the ceiling (except in the rare cases where the artist/composer so specifies).
MOST especially, squirrels in the attic, Kal!
Well, I don't want anything emanating from the ceiling (except in the rare cases where the artist/composer so specifies).
Touché. We just got rid of some of those critters.MOST especially, squirrels in the attic, Kal!
5 out of 6 albums I just reviewed had Atmos and/or Auro-3D intended from inception. An argument could be made for the 6th (Abbey Road), since the surviving members and estates must have signed off.Well, I don't want anything emanating from the ceiling (except in the rare cases where the artist/composer so specifies).
That is rare in classical music.5 out of 6 albums I just reviewed had Atmos and/or Auro-3D intended from inception.
Signing off (especially after such a long interval since the original production) does not carry quite as much weight as contemporaneous intent. I have speculated that, had these technologies been available to them at the time, the artists would have made more and more inventive use of them than did the producers of the 50th Anniversary Edition.An argument could be made for the 6th (Abbey Road), since the surviving members and estates must have signed off.
I'm mostly responding to you for the benefit of others. 2L is a great example of a label that does orchestral immersive recordings from inception, from mic placement onward.That is rare in classical music.
Signing off (especially after such a long interval since the original production) does not carry quite as much weight as contemporaneous intent. I have speculated that, had these technologies been available to them at the time, the artists would have made more and more inventive use of them than did the producers of the 50th Anniversary Edition.
I am not sure what you are responding to but I do like many of 2L's recordings and, in particular, I have been greatly impressed with some of his BluRay "immersive" recordings of music written and conceived by the composer to incorporate spatial elements including height. My point is that it is not what the recordist decides to do but what the creative artist specifies. In classical music, this is the composer. In other genres, it may be the composer/performer.I'm mostly responding to you for the benefit of others. 2L is a great example of a label that does orchestral immersive recordings from inception, from mic placement onward.
So, I do have a great interest but it is not indiscriminate.It's cool that you have little to no interest. Just not sure why you feel the need to keep reminding us of that.
Traps and resealing.How???
One of the songs (Polar Lights) is already in Tidal (in Atmos)Booka Shade are back with another Atmos mix on a blu-ray - Dear Future Self was originally released in May, BD-A is now up for pre-order at Amazon. Seems that September 4th is going to be our release date of the year.View attachment 54026
One of the songs (Polar Lights) is already in Tidal (in Atmos)
The Perry Farrell album Kind Heaven, already mixed in Atmos, is going to be released as a part of the box set The Glitz; The Glamour on November 6th. Direct pre-order link is already here, the boxset will be strictly limited to just 3,000 units, exclusively numbered. Credit for the info goes to this article:
https://exclaim.ca/music/article/perry_farrell_to_explore_the_glitz_the_glamour_with_new_box_set
Cheers Ian,La Dispute 5.1 release on Blu-ray:
US: ($25) Panorama Blu-ray
UK/EU: (£18) Panorama (Bluray) 5.1 PCM Surround Sound (24bit/96hz) + Hi-res PCM Stereo (24bit/96hz)
Mixed in 5.1 by Will Yip.
Cheers Ian,
Ordered ta...
Exactly my view too Humpy, yes knew no Atmos, ta.Album of the Day on Bandcamp a year or so ago:
https://daily.bandcamp.com/album-of-the-day/album-of-the-day-la-dispute-panorama
Hardcore/post-hardcore is not exactly my cuppa, and I think I'm too old for "the emo equivalent of spoken word—slam poetry at its most sullen." But I'll still get behind indie musicians in any genre who are taking the trouble to remix their work for surround. (Just to clarify, though: it looks like 5.1 but not Atmos on this Blu-Ray.)
Enter your email address to join: