- Joined
- Mar 23, 2010
- Messages
- 437
yet still no poll option on QQ.Gratitude SACD is also highly recommended; one of my top ten favorite surround discs in both sonics and material.
yet still no poll option on QQ.Gratitude SACD is also highly recommended; one of my top ten favorite surround discs in both sonics and material.
yet still no poll option on QQ.
My theory is that it is indeed a pseudonym for Al Lawrence, although frustratingly the quad master tape boxes for Spirit didn't have any extra remix engineer information on them so we were unable to confirm.
The reason I think it's Lawrence is that he seems to disappear as CBS's Head of Quadraphonic A&R after an interview in the August 9th, 1975 issue of Billboard Magazine, after which I think he either left or was quietly let go by the company. I always wondered what happened to him, so a couple of years ago I did a deep Google dive on him and finally turned up some writing he did for an audio engineering magazine in 1976, including an article about various quad-equipped recording studios such as Caribou Ranch.
It's my belief that Lawrence wouldn't be doing writing like that if he was still an employee of CBS, and that in 1976 he may have returned to do the remix supervision for Spirit under a pseudonym either because CBS wanted to keep his departure hush-hush, or because union rules at CBS's New York studios wouldn't allow for a freelancer (as he would've been) working with a union man like Keyes. It's my recollection that the quad LP of Ted Nugent's Free For All (also from 1976) has a pseudonym for the Quadraphonic Sound and Remix Supervisor as well, so it's possible the same person was responsible for both mixes.
My theory is that it is indeed a pseudonym for Al Lawrence, although frustratingly the quad master tape boxes for Spirit didn't have any extra remix engineer information on them so we were unable to confirm.
The reason I think it's Lawrence is that he seems to disappear as CBS's Head of Quadraphonic A&R after an interview in the August 9th, 1975 issue of Billboard Magazine, after which I think he either left or was quietly let go by the company. I always wondered what happened to him, so a couple of years ago I did a deep Google dive on him and finally turned up some writing he did for an audio engineering magazine in 1976, including an article about various quad-equipped recording studios such as Caribou Ranch.
It's my belief that Lawrence wouldn't be doing writing like that if he was still an employee of CBS, and that in 1976 he may have returned to do the remix supervision for Spirit under a pseudonym either because CBS wanted to keep his departure hush-hush, or because union rules at CBS's New York studios wouldn't allow for a freelancer (as he would've been) working with a union man like Keyes. It's my recollection that the quad LP of Ted Nugent's Free For All (also from 1976) has a pseudonym for the Quadraphonic Sound and Remix Supervisor as well, so it's possible the same person was responsible for both mixes.
I’ll definitely be ordering the EW&F along with the O’Jays and the Blue Notes with my next D-V order.yeah, i wondered about that.. at bottom middle it credits Quadraphonic Sound & Remix Supervision (fancy name for Producer?) to one Flash Rhomboid alongside Tim Geelan (who did the Blue Öyster Cult Quads) as the engineer what actually done the mix good and proper like.. must be the one and the same Eleventh Floor Flash!
Flash! Ahh! Mixer of the impossible!
Flash, i love you.. but we only have 14 hours to mix this Quad!
I also wanted to mention that from a post I read back in the 2000's sometime that someone had posted that there were No True E,W&F Quad Lp's, they were "Fake" as I saw that Dawn CD-4's were as well. This came from a very reliable source person that knows quad well. I don't remember where I read it or whom it was. It was on a Quad LP list forum tho. That makes me kinda confused about their Quad Mixes actually existing. Please advise !