JulesRules
600 Club - QQ All-Star
OT but while there is a lot of grumbling about modern Marillion albums among fans, Marbles is usually held up as the high water mark of the post-EMI era."Marbles," which was a POS to my ears.
OT but while there is a lot of grumbling about modern Marillion albums among fans, Marbles is usually held up as the high water mark of the post-EMI era."Marbles," which was a POS to my ears.
I gave up on Fish after "Internal Exile," maybe the next one after that. I concede that later albums might be good, but ESPECIALLY since the new releases are expensive imports, I'm frequently unwilling to risk a new purchase from an artist like Fish who was steering into ideological snarling.Did you try his last two albums? They're excellent from a musical point of view
Pointless to argue but "Marbles" was my exit point. They had several good Steve Hogarth albums, but after "Marbles," I couldn't have any confidence that I'd like what Marillion was producing was worth my $.OT but while there is a lot of grumbling about modern Marillion albums among fans, Marbles is usually held up as the high water mark of the post-EMI era.
I tried Marbles on the car system, cause it gets some hype and I’d never heard it. Wondered how excited I should be for Marbles in Atmos.Pointless to argue but "Marbles" was my exit point. They had several good Steve Hogarth albums, but after "Marbles," I couldn't have any confidence that I'd like what Marillion was producing was worth my $.
Again, anyone who likes Marillion "Marbles" or later isn't wrong. I'm just not hearing it.
I tried Marbles on the car system, cause it gets some hype and I’d never heard it. Wondered how excited I should be for Marbles in Atmos.
Not very excited…
Got so bored that I didn’t finish the album.
I have a soft spot for Marbles. My unsolicited thoughts on Marillion's timeline:Pointless to argue but "Marbles" was my exit point. They had several good Steve Hogarth albums, but after "Marbles," I couldn't have any confidence that I'd like what Marillion was producing was worth my $.
Again, anyone who likes Marillion "Marbles" or later isn't wrong. I'm just not hearing it.
Just replying to myself again, but Marillion are just this wonderfully unique band in the end of it all. They have plenty of terrible songs. And plenty of masterpieces. Really, there are other bands that do have better albums and songs. But they just have such an amazing track record of putting out music, engaging with fans, basically inventing crowdsourcing, running their Marillion weekends, etc.; for me whether their music is good or bad is almost inconsequential. They're just a band that I almost feel like I am friends with after 25 years of listening. I can't really say that about any other artist, personally.I have a soft spot for Marbles. My unsolicited thoughts on Marillion's timeline:
Fish era -> mostly good, some great;
Season's End and Holidays in Eden ->some good but kind of 'growing pains';
Brave and Afraid of Sunlight -> spectacular in different ways;
This Strange Engine, Radiation, marillion.com, Anorkanophobia -> mostly radio nonsense with a few of their best songs in between somehow;
Marbles -> Excellent but long, and understandably a few songs not so great (but considering there are a lot of songs and most are really good);
Somewhere Else, Happiness is the Road, Sounds that Can't be Made -> my least favourite albums, hardly more than one or two decent songs between them;
FEAR -> Surprisingly good
An Hour before it's Dark -> OK, similar to FEAR but not as good
Well, at least he's done us a favour by making pretty much all the material from his CDs available on streaming, so it's possible to "try before you buy" (while you still can buy them...)I gave up on Fish after "Internal Exile," maybe the next one after that. I concede that later albums might be good, but ESPECIALLY since the new releases are expensive imports, I'm frequently unwilling to risk a new purchase from an artist like Fish who was steering into ideological snarling.
The last song on Marbles is Neverland which has been voted the best Marillion song ever on numerous forums, you probably gave up before hearing it, it’s definitely worth a listenI tried Marbles on the car system, cause it gets some hype and I’d never heard it. Wondered how excited I should be for Marbles in Atmos.
Not very excited…
Got so bored that I didn’t finish the album.
I'm not sure if it has been mentioned yet but Fish is seriously winding down / ending his musical career, and that includes ending the webstore.
Either way, once the tour is finished in March, the .scot store will apparently also be gone for good
I'm just a 100% physical media consumer, I won't do I-Tunes, Spotify or any other platform. Mostly just because I don't want to fiddle around with more GUI's & meddling algorithms, PLUS I want my favorite artists to get a proper royalty.Well, at least he's done us a favour by making pretty much all the material from his CDs available on streaming, so it's possible to "try before you buy" (while you still can buy them...)
I think "Sunsets on Empires" was my last Fish CD. Meh...I gave up on Fish after "Internal Exile," maybe the next one after that. I concede that later albums might be good, but ESPECIALLY since the new releases are expensive imports, I'm frequently unwilling to risk a new purchase from an artist like Fish who was steering into ideological snarling.
That is actually a very important question. Could anyone get that through to him so it gets addressed? Because while they're obviously no substitute for the physical packages with his long liner notes and reimagined Mark Wilkinson artwork, I'd even settle for buying downloads of the 3CD sets if they're otherwise becoming completely unavailable, even digitally.He hasn’t said anything about his music publishing arm, but all the remastered stuff streaming on the various platforms are licensed through “chocolate frog records”.
I wonder if most of his music will fall off the streamers once the current licensing deal expires. I’m fairly confident that he doesn’t outright own the rights to “vigil”, “ internal”, and “songs from the mirror” - so maybe it is just the non-remastered versions that remain available. I guess we’ll see.
Its been mentioned for quite a while on his Fish on Friday webcasts.Again, as with the closing of the EU shop, I wish all this was communicated a bit more widely. I follow a couple of Marillion and Fish threads on at least three different websites, and I'm on a Discord server about Marillion, and yet I only found out after it was already gone.
Exactly. I can't follow podcasts and so on. I've tried it with some others at the beginning of the pandemic and it's just not my format. And I doubt a lot of casual fans watch them.Its been mentioned for quite a while on his Fish on Friday webcasts.
I tried Marbles on the car system, cause it gets some hype and I’d never heard it. Wondered how excited I should be for Marbles in Atmos.
Not very excited…
Got so bored that I didn’t finish the album..
The last song on Marbles is Neverland which has been voted the best Marillion song ever on numerous forums, you probably gave up before hearing it, it’s definitely worth a listen
You may appreciate marbles more if you read the lyrics while listening... if you don't appreciate the opening track, invisible man, after listening with the lyrics, then I'll say you won't like the rest of the album.....I tried Marbles on the car system, cause it gets some hype and I’d never heard it. Wondered how excited I should be for Marbles in Atmos.
Not very excited…
Got so bored that I didn’t finish the album.
Ditto.I think "Sunsets on Empires" was my last Fish CD. Meh...
It took me a long time to get into The Invisible Man, while I immediately adored some of the other stuff on Marbles.You may appreciate marbles more if you read the lyrics while listening... if you don't appreciate the opening track, invisible man, after listening with the lyrics, then I'll say you won't like the rest of the album.....
And to think that 'Prog God' Steven Wilson had quite a hand in that one!Ditto.
Neither Fish nor Wilson really seem happy with the album though.And to think that 'Prog God' Steven Wilson had quite a hand in that one!