... it appears as though he's basing most of his assertions on the application of transmission line theory to audio signals
No way, you're good. I was posting for laughs. what the hell is this?Wow. I Had a skim of that article last night, read through the whole thing today. That is actually some of the most insidiously well-crafted misinformation I've seen in quite a while - and that's saying something these days.
At first it looks reasonably sober, except that characteristic-impedance thing kinda jumps out - oops! But then I noticed important details convieniently omitted, say like x/y graph settings!! Sheesh.
The bottom line is that all of those horrifying graphs are illustrating stuff that's happening in either the high-MHz or high-microvolt range, neither of which is having any audible effect.
What utter poppycock.
(EDIT: No offense to JohnN I hope!)
A useful engineering rule of thumb will tell you all need to know here-
"Transmission-line effects only become significant when the length of the line is comparable to or greater than the wavelength of the signal. A general guideline is the one-fourth wavelength rule:
If the interconnect length is less than one-fourth of the signal wavelength, transmission-line analysis is not necessary. The interconnect itself does not significantly affect the electrical behavior of the circuit."
If you take a notional audio frequency of say, 20kHz, λ = 15Km. So you really only need to start worrying about transmission line effects if your speaker cables are more than 3.75Km long!!!
Another wholly inappropriate read across from the RF domain you often see mentioned by cable and connector manufacturers is Skin Effect. All very amusing.
It is very nicely presented drivel, never mind the quality feel the width. The cables look well made though, but I can't see the magical audio fairy dust! To quote Steve Earle off Copperhead Road "I heard a sound like that once but it was chemically in...du..uced!"Wow. I Had a skim of that article last night, read through the whole thing today. That is actually some of the most insidiously well-crafted misinformation I've seen in quite a while - and that's saying something these days.
At first it looks reasonably sober, except that characteristic-impedance thing kinda jumps out - oops! But then I noticed important details convieniently omitted, say like x/y graph settings!! Sheesh.
The bottom line is that all of those horrifying graphs are illustrating stuff that's happening in either the high-MHz or high-microvolt range, neither of which is having any audible effect.
What utter poppycock.
(EDIT: No offense to JohnN I hope!)
The imagination can be a powerful thing, specially when you went through all the work and expense to install these upgrades and can't switch back and forth to compare them.I have problems with a lot of the information here, but what bugs me the most is the assertion that installing 30amp house circuits (as opposed to 20 amp circuits) somehow allows for current to be delivered faster to the audio devices, resulting in all of the earthshaking audio improvement the reviewer describes.
The 20 vs 30 amp cutouts seems like nonsense to me from a logic standpoint, without doing any tests myself. Electricity tends to be on or off, although I suppose its conceivable that there is a point where the breaker is on the verge of cutting out and limiting flow somewhat on the edge, offering resistance. Seems dubious.So there has been a few articles at Audiophile Style regarding power supply conditioning. Both AC and DC.
Here is a link to the AC article
I have problems with a lot of the information here, but what bugs me the most is the assertion that installing 30amp house circuits (as opposed to 20 amp circuits) somehow allows for current to be delivered faster to the audio devices, resulting in all of the earthshaking audio improvement the reviewer describes.
One other comment I forgot. I live in a hundred year old house that still has the knob and tube wiring. I know shielding is an issue and so there are areas of the house that introduce hum into the system and some that do not. Having observed this myself, it stands to reason that better shielding of all wires may improve performance, including the patch chords in your system, which again introduce noise unless things are moved around from one installation to another. So it is plausible that a beefier power cord could make a difference as the author asserts, but he also says he upgraded all the house wiring at the outset so this shouldn't be an issue for him. But I am talking about noise and hum, not 'opening up the field of sound'. I have never noticed any of that.The 20 vs 30 amp cutouts seems like nonsense to me from a logic standpoint, without doing any tests myself. Electricity tends to be on or off, although I suppose its conceivable that there is a point where the breaker is on the verge of cutting out and limiting flow somewhat on the edge, offering resistance. Seems dubious.
Myself I have an AC power supply conditioning device which honestly I never noticed any real difference after I got it. The main reason I got it was it has a ton of outlets on the back so I can consolidate them all own one place and a circuit breaker in the event the home supply is either too high or too low. There's an LED meter on the front to monitor and my home current certainly does ebb and flow, and is not consistent, although, again, I don't know how much that matters. Mostly its convenience and I got it second hand from a studio that was upgrading to new models so the price was right! The thing weighs a ton and is built like a tank.
That's why they have to use different cables in the UK. (50Hz power)You mean the current frequency through the cable doesn't go up from 60Hz from a 20 amp circuit to a 30 amp circuit? Dang!
Doug
Never underestimate the stupidity of these audiophiles!So there has been a few articles at Audiophile Style regarding power supply conditioning. Both AC and DC.
Here is a link to the AC article
I have problems with a lot of the information here, but what bugs me the most is the assertion that installing 30amp house circuits (as opposed to 20 amp circuits) somehow allows for current to be delivered faster to the audio devices, resulting in all of the earthshaking audio improvement the reviewer describes.
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