It's cool to see that they're reprinting those shirts now - I have an original one of those (albeit faded and yellowed since it's 25 years old now, and I wore it so much as a teenager) that I got during the Toronto stop of this tour in 1995.
It was the first 'real' concert I went to (after Lollapalooza '94), at Maple Leaf Gardens. The opening act, Bad Brains, didn't make it through Canadian customs and immigration so the Beastie Boys played an extended set - somewhere between 25 and 30 songs in total. They had a quadraphonic PA system (long before I even had an inkling of what quad was) that supposedly belonged to Pink Floyd in the 70's, which had speaker stacks in each corner of the arena. These were used to good effect - I distinctly remember the distorted bass guitar intro to the song 'Gratitude' slowly swirling around the arena amongst many other things.
It still remains one of the best gigs I've been to, and I managed to record the whole thing on an enormous cassette recorder (Sony WM-D6) that I smuggled in to the arena jammed down the front of my jeans, which was no small feat back in the days when they actually cared about people recording at concerts!
I really love the design too - as I mentioned over in the Doobie Bros. Quadio thread, I collect promo posters for bands I like, and I spent about 10 years trying to hunt one down that had this design on it, and I finally did about 5 years ago:
View attachment 55842
But I digress - I was doing some reading and research about
Pandora's Box, and it turns out it's the last album in the LP series it's part of, Victor Japan CD4B-5106. As previously mentioned, this album was released in (late) 1978 - the previous LP in the series, CD4B-5105, it Junko Sakurada
Live at Bunkyo Hall, released in 1975, more than three years before. Not only that, if you go back numerically through that CD4B series (I only went as far back as CD4B-5070) the albums are all either live albums or greatest hits albums - not studio LPs of new material.
I'd love to know what the story is behind this record being mixed in quad so long after RCA Victor Japan had seemingly abandoned the format elsewhere - their last western pop releases (part of the CD4W series that included the Motown quads) were in mid 1975, and RCA's last release of domestic music mixed in quad (the R4J series) was in early 1976. I noticed in the product description for the SACD that the original recording engineer was involved in supervising the remaster, maybe the liner notes will have some information about the recording and release of the album. I guess it's sort of like the Japanese equivalent of Walter Murphy's
A Fifth of Beethoven, which RCA put out on Q8 in the US (only via their mail order tape club) in 1978 after their last CD-4 pop quad releases (Jefferson Starship, Danny Davis, etc.) in 1976. I know Tomita continued to release albums in quad up until 1979, but he was part of RCA's classical division - this is definitely the last Japanese pop quad release, by a wide margin.
I also noticed that the album's songs were written and arranged by Kyohei Tsutsumi, who seems to be something of a legend in Japan -
according to Wikipedia "He has released nearly 3,000 compositions to date, over 500 of which have entered the Japanese Oricon singles chart. Tsutsumi is the most commercially successful composer of the Japanese popular music of last five decades, selling over 76 million units on the country's single chart from 1968 onwards." Tsutsumi also had a quad release of his own: Kyohei Tsutsumi and his 585Band
Hit Machine, which was part of the
Toshiba Pro-Use series of SQ-encoded LPs.