I don't watch unboxing videos, I just post them.I couldn't finish either of those unboxing videos because I cringed to see how people handle their discs. Especially, the first one where he's trying to unwrap it. :yikes
I don't watch unboxing videos, I just post them.I couldn't finish either of those unboxing videos because I cringed to see how people handle their discs. Especially, the first one where he's trying to unwrap it. :yikes
Another unboxed:
[video=youtube;pYi3OE6W_lg]https://www.youtube.com/watch?v=pYi3OE6W_lg[/video]
Yes!! Just checked back on Bullmoose - tracking says it's out for delivery from local post office. I'll have it this afternoon! :banana:
Another unboxed:
[video=youtube;pYi3OE6W_lg]https://www.youtube.com/watch?v=pYi3OE6W_lg[/video]
Am I the only one who doesn't get "unboxing" videos? The point is?
Nevermind.....
Anyone? I guess this must be quite a popular release, after all. To clarify: if the flute solo was more "present" I might consider buying the new release, even just for it.
Can anybody chime in to give some info if the Adapted edition changes the above in any way?
When I got this I was delighted the '74 quad mix was included, and after many listenings decided I prefer it to the 5.1.
It's interesting that Steven Wilson espouses remaining "faithful" to the original sound field when remixing.
Your example reveals he's not afraid to take some liberties.
Truth be told, I wouldn't be at all disappointed if somebody else does the mixing of the rest of the early albums. While I'm grateful to SW for putting out all these prog projects in 5.1 that I never would have guessed would see the light of day, I'm frankly not crazy about much of the work he's done. I think he butchered the ELP albums, for instance. I wish he would play less with the EQ and effects panel and just focus on channel steering. I often don't care for the way he brings "this forward" and pushes "that back" in the mix. Occasionally I like one or two of his choices, but usually I much prefer the original mixes and often, such as on the ELP releases, prefer to listen to the original stereo mixes in 24/96 using Dolby PL II rather than his 5.1 renditions. I'm glad this Misplaced Childhood set will include the remastered original stereo tracks, in case I don't care for what he does with the 5.1 mix. I think Alan Parsons is the absolute best surround mixer on the planet, both for what he has done with his own works, but also the original quad (bootleg) recording of DSOTM, which I regard as the most exquisite piece of surround work I've ever heard. But a big shout out to SW for doing these, which would surely never get done otherwise. I'm looking forward to hearing what he can do with them!
Yes!! Just checked back on Bullmoose - tracking says it's out for delivery from local post office. I'll have it this afternoon! :banana:
So regarding this Tull release (and all the others in the series) the LPCM and the DTS are both 96/24.
DTS 96/24 is still lossy compressed. LPCM 96/24 is not.
(Not that it matters to me. My set arrived last Thursday btw.)
I recently lamented SW's "taking liberties" too much on some of his remixings. In the Marillion Misplaced Childhood thread, I posted this:
Obviously a new mix has to be created whenever you start with the original multitrack masters, but I would like SW more if he would keep all the track levels and EQ as close to original as possible, while simply assigning certain elements among the available channels. If you go too far, it ceases to be Jethro Tull and becomes Wilson Tull, which isn't what I want. This burying of the flute in the remix is just what I'm talking about. I can cite at least a dozen examples like that, and I only have a handful of titles that he's done.
I'm willing to bet I'll like the quad tracks more than the 5.1, as well. But we shall see.
Please keep in mind that when it comes to EQ in particular, a lot of what you're hearing on many of these SW remixes is closer to what is actually on the multitrack tapes.
Mastering a stereo mix for vinyl meant limiting some of the higher and lower frequencies in order to make sure that the album could be properly cut to and played back on vinyl.
Now that these remixes are mostly being released on optical and digital formats (CD, DVD, Blu-Ray, download, etc.) those kind of limitations no longer apply.
Thanks. It's just a matter of being able to switch off channels selectively... it's a bit boring but it helps in understand what is happening. Actually, it helps in understand what you hear with all the channels "on" and why it sounds wrong (to my ears, obviously).I have to give you major props for your golden ears and articulate descriptions of the sound field.
And for being willing to spend another $40 for 40 seconds of music if it had indeed been "fixed."
When I got this I was delighted the '74 quad mix was included, and after many listenings decided I prefer it to the 5.1.
May be...but wow. If you eliminate Steven Wilson from the picture. Eh....we don't have much of any Tull in surround. So, for that - he is the effing man. Give me all that he is willing to work on.
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