furui_suterioo
Quad & 70s Enthusiast
It seems nobody has been able to find a schematic or manual for the 4DD-10, only this:
Hello!I am not sure about the CD4 circuit into the SA 8000X, but if it is the same as their standalone cd4 decoder, it need a special cartridge (semiconductor).The 4dd10 works with all carts.
A CD-4 demodulator only works with CD-4 records (AKA "quadradisc.") It takes a high frequency that's embedded on the vinyl and uses it to extract the 4 channels. What you would be looking for to "fake" 4 channels from 2 is a matrix decoder. They will take any stereo source, record, tape, CD or music file, and try to find information that is out of phase and turn it into quad. Some work well, others don't. Sometimes it's the music that the problem. (For example, I have a Hall & Oates album where a few songs actually sound like they were made for quadraphonic and some others that just don't decode well. It's just the way it was recorded.)Hello!
I'm Dan and If you don't mind I have 2 questions:
1. Is it possible to get 4 channels from a stereo cd with a cd4 demodulator, or that is just for Phono (turntable)?
2. The 4 ch cartrige can be used also on a stereo turntable or just on a 4ch one?
I am fascinate by quad audition but the q reel tapes or vinyl records are too expensive, so I would like to converts my stereo musi into quad. So what should i use for stereo CDs and for stereo vinyl to convert it into quad?
Thank you very much. I admit it's difficult to find someone experienced who to share the basic information with someone new but enthousiast in this domain. I shall read many times your message till i'll have a strong image for my future equipment investment. For the moment I owe a Teac Tascam 234 tape deck, a Toshiba which looks to be very smart with its plenty of buttons (unfortunately I can't find its user manual, the service manual I already bought not being too helpfull), 3 Teac reel-to-reel tape recorders (2 A 2340 sx and 1 A 3340) and a Dual quad turntable. The last one looks not to do its job working as it should. I am still for analog systems and I can understand that a demodutated signal is kind of fake, but as I already said, this hobby is really too expensive for my monthly budget and I mean the quad reel tapes or vynilsA CD-4 demodulator only works with CD-4 records (AKA "quadradisc.") It takes a high frequency that's embedded on the vinyl and uses it to extract the 4 channels. What you would be looking for to "fake" 4 channels from 2 is a matrix decoder. They will take any stereo source, record, tape, CD or music file, and try to find information that is out of phase and turn it into quad. Some work well, others don't. Sometimes it's the music that the problem. (For example, I have a Hall & Oates album where a few songs actually sound like they were made for quadraphonic and some others that just don't decode well. It's just the way it was recorded.)
The 4 channel cartridge can be used on any turntable, but that turntable must have low capacitance phono cables. It is the only way to get that high frequency signal on the record to make it to the CD-4 demodulator for decoding.
I highly recommend the Surround Master from Involve Audio. They are out of Australia. It will do a fantastic job at extracting a quadraphonic signal from just about any source. Plus, if you ever purchase a quadraphonic matrix record, it will actually decode that record into the 4 channels as intended.
Hope this helps!
Welcome aboard, Dan! @gvl_guy gave you good advice. Certainly, this hobby can get very expensive, and vintage vinyl is always risky to purchase, although I’ve had pretty good luck.Hello!
I'm Dan and If you don't mind I have 2 questions:
1. Is it possible to get 4 channels from a stereo cd with a cd4 demodulator, or that is just for Phono (turntable)?
2. The 4 ch cartrige can be used also on a stereo turntable or just on a 4ch one?
I am fascinate by quad audition but the q reel tapes or vinyl records are too expensive, so I would like to converts my stereo musi into quad. So what should i use for stereo CDs and for stereo vinyl to convert it into quad?
Actually, what is meant by a "quad turntable" is that the turntable is equipped with low capacitance cabling right up into the tonearm, not just from the terminal board to the RCA connectors that plug into the demodulator. Most high quality turntables from the quad era are designed with CD-4 quad in mind, especially Japanese made tables. And for SQ and QS or any other matrix quad format, it doesn't matter.No such thing as a "quad TT"...to get good CD-4 performance you can use any model as long as it has short and low-capacitance cables. You do need a quad cartridge (with a shibata tip stylus) though. For CD-4 playback I use a Technics SL-1500 with a JVC 4MD-20x cartridge.
To properly use the demod you have to run the turntable wires into it, then run the 4 channel outs to a receiver. You then need a special adjustment record to properly tune the separation and carrier controls.
Welcome aboard, Dan! @gvl_guy gave you good advice. Certainly, this hobby can get very expensive, and vintage vinyl is always risky to purchase, although I’ve had pretty good luck.
There are several ways to get a surround effect fairly cheaply, though. My first surround setup just had two very cheap speakers wired in parallel to the front speakers, and they sounded so different from the far better front speakers that it was a pretty pleasing effect. Of course, it wasn’t what the artists intended me to hear, but it was fine at the time.
As the owner of the legendary Audionics Space and Image Composer, now defunct, I purchased a Surround Master from Involve Audio to replace it. I have to say that I am totally impressed with the Surround Master, and that it is an excellent replacement for the Audionics unit that served me so well for so many years. Plus, it also does QS decoding, which the Audionics did not do. It will also decode stereo records and divide the sound into four channels or 5.1 channels, (you choose) or any other stereo source for that matter. As previously stated, it does require a lively mix.A CD-4 demodulator only works with CD-4 records (AKA "quadradisc.") It takes a high frequency that's embedded on the vinyl and uses it to extract the 4 channels. What you would be looking for to "fake" 4 channels from 2 is a matrix decoder. They will take any stereo source, record, tape, CD or music file, and try to find information that is out of phase and turn it into quad. Some work well, others don't. Sometimes it's the music that the problem. (For example, I have a Hall & Oates album where a few songs actually sound like they were made for quadraphonic and some others that just don't decode well. It's just the way it was recorded.)
The 4 channel cartridge can be used on any turntable, but that turntable must have low capacitance phono cables. It is the only way to get that high frequency signal on the record to make it to the CD-4 demodulator for decoding.
I highly recommend the Surround Master from Involve Audio. They are out of Australia. It will do a fantastic job at extracting a quadraphonic signal from just about any source. Plus, if you ever purchase a quadraphonic matrix record, it will actually decode that record into the 4 channels as intended.
Hope this helps!
The ANRS noise reduction is difficult to do on a PC since it is level dependent and you don't know what gain the track was digitised at.It seems to me that an all digital (PC/Windows based, for example) CD-4 encoder would be the easiest approach, even if the PC has to encode CD-4 at slower than real time (due to computational requirements), .wav format output files could be easily created.
Thanks for the info! The AES wants $33.00 for a copy of the paper.It seems to me that an all digital (PC/Windows based, for example) CD-4 encoder would be the easiest approach, even if the PC has to encode CD-4 at slower than real time (due to computational requirements), .wav format output files could be easily created.
Might be helpful:
https://www.aes.org/e-lib/browse.cfm?elib=3385
"The RCA Quadulator"
Kirk Bayne
Yes... and no...True... the analog processing that is/was done on the LPs is one of the subtle things that I will have to deal with in the design of an analog modulator. I will have to provide means of varying the parameters as needed for the ANRS depending on the frequency range and level of the audio that was used to modulate the 30khz carrier which determine the ANRS compression and expansion parameters. Even the amplitude of the 30khz signal was varied as needed for optimal Demodulator/playback characteristics.The ANRS noise reduction is difficult to do on a PC since it is level dependent and you don't know what gain the track was digitised at.
If you use an analog preamp, one issue you may well run into is the downgrading of the carrier by the RIAA EQ. Finding a linear preamp might be difficult, and running cartridge level signals to a computer could be a challenge as well.It seems to me that an all software (PC/Windows based, for example) CD-4 encoder would be the easiest approach, even if the PC has to encode CD-4 at slower than real time (due to computational requirements), .wav format output files could be easily created.
edited: the word digital replaced by software
Might be helpful:
https://www.aes.org/e-lib/browse.cfm?elib=3385
"The RCA Quadulator"
Kirk Bayne
YesDo you want CD-4 playback or not? Makes a huge difference to what cartridges you can use.