Well, it's not the Quadio mix, that's for sure.
Pales in comparison on my system in 5.1.
Bass seems weaker.
I'd second that. If the Quadio is midrange-scooped, then this is the inverse. Bass is significantly reduced compared to the original mix. I don't love the center-channel piano, and the fact that it sounds so boosted doesn't help. Still...that piano riff is what the song is built on, and it's prominent in the original stereo mix, too.
Curious for observations from the ceiling-speaker crowd as to what I might be missing in that regard.
Hot take (on my 5.1.4 setup): there's a fair amount of activity up there, though some of it is doubling at reduced volume (e.g., rhythm guitar in the left front overhead seems doubled from left rear; brass in rear overheads is doubled from rears, etc. Although on a 7.1 system, some of that might originate in the rear surrounds?). There are some things unique to the rear overheads, too--backing vocals, for instance--although there are a couple of spots where a particular phrase in the
left rear overhead is mastered too loud ("Play a song, play a song, play on" at 1:41, "Waiting for us all" at 3:15).
I like lead vox in front, horns in back. Overall: not awesome, but not awful, either. Hope
@sjcorne is right about the rest of the album. Maybe they'll do some tweaks before they lay the whole thing on us.