more like it
You Dropped A Bomb On Me is an extreme example of Front/Rear channel volume discrepancy. Here is what the track looks like in 5.1 from Tidal and then after I adjusted channel volumes.weird.. ..and yucky indeed!
similar mix approach to this?
the bulk of the track's in the Front L&R, with little accents, synth pads (?) and other vocal bits in the other channels but all at much lower volume in the rest of the channels (including the Heights) than the Fronts, so the Front soundstage totally dominates.
How much did you increase the individual channel volumes and how did you do that?You Dropped A Bomb On Me is an extreme example of Front/Rear channel volume discrepancy. Here is what the track looks like in 5.1 from Tidal and then after I adjusted channel volumes.
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I put one of the songs from Full Moon Dirty Hearts, The Messenger, into Audacity and took a closer listen to the different channels with headphones. The odd thing is that different elements seem louder in different channels of the mix, though they're not totally discrete. Comparing front right to back right at 0:39 (end of chorus), for example, there are hand claps and then the de-tuned distortion (or slightly flat) guitar that are louder in back right. There's also less bass back in the back right. In the front right, there are still hand claps and de-tuned guitar, but they are much lower in the mix. Can this be accomplished with only EQ and not actually different mixing levels on the tracks? I don't know.Sadly, seems like a double stereo mix for this album. Actually sounded more discrete on my headphones than on a true surround system. Anyone else hear differently?
i'd be curious as to what's going on musically in channels 5 & 6 / the Rears?You Dropped A Bomb On Me is an extreme example of Front/Rear channel volume discrepancy. Here is what the track looks like in 5.1 from Tidal and then after I adjusted channel volumes.
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You’re correct. The rear channels are most notably used for ancillary sound effects such as the sound of a falling bomb.i'd be curious as to what's going on musically in channels 5 & 6 / the Rears?
i doubt it's all that much, i was trying out this song earlier in 7.1.4 and every channel apart from 1 & 2 / the Front L&R just had some low level kinda trivial sound effect or isolated vocal or something, not any of the meat of the track at all, or anything that felt like it would necessarily be fundamental to the track?
there's seemingly the odd keyboard part, synth pads and harmony vocals in various channels popping up here and there in the Surrounds and Surround Backs and the Heights.. but aside from the faintly comic bomb dropping whistling sound effect in the Rears (5 & 6) which is also up in the Front Heights (weeeeeee! ) which i guess was supposed to simulate the feeling of the bomb dropping from in front and above the listener to behind the listener on the floor (?) if that was what they were going for?You’re correct. The rear channels are most notably used for ancillary sound effects such as the sound of a falling bomb.
Album Soul for Christmas now in Atmos
Merry Christmas tree
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