tl;dr -- the 'to me' at the end of any opinion, is silent and must be assumed, by rational people.
Not sure if you're comment is in response to my post? If so, I most certainly didn't indicate this album was fc. None of the Riley atmos albums I listened to were.Terry Riley, composer.
Mix about the farthest possible from "front centric."
I knew you were referring to Kronos Quartet non-Riley content.Not sure if you're comment is in response to my post? If so, I most certainly didn't indicate this album was fc. None of the Riley atmos albums I listened to were.
Nope, they’re also on Apple MusicI think those are exclusive to Tidal (so far). Enjoy--and let us know how they are!
Would love links if you have 'em. I had no luck with Apple Music's search engine.Nope, they’re also on Apple Music
I should add that I’m in the UK. Both of these records are in Atmos for me.Would love links if you have 'em. I had no luck with Apple Music's search engine.
Another version in atmos? And other minimalists. I have a soft spot for swirly marimbas (1st track Reich's Nagoya Marimbas)Terry Riley's "In C," performed for the first time 60 years ago tomorrow. It was first recorded four years later by Columbia, and you can find a bajillion different versions of it today--but the two below are the only ones (re-)mixed for Atmos, AFAIK. (Riley is still composing today, age 89, with a view of Mt. Fuji to inspire him.)
It seems that early on, Riley was envisioning "In C" as sort of a "surround" work. Robert Carl's book about the piece includes a reminiscence by Riley's friend Stuart Dempster that "Terry had suggested people could wander around and change the sound by wherever they stood in the room." For the 1967 performance at Carnegie Recital Hall, according to a New York Times review, "loudspeakers were not only positioned about the auditorium but in the halls . . . the audience was urged by Lukas Foss, who oversaw the concert, to walk around and savor the sounds from various places in and out of the hall. Most of the listeners did so, and a few kept right on walking" (!).
Here's some of what Carl reports about the Columbia recording sessions, which took place a couple months later in a decommissioned church (no longer standing) on E. 30th Street in New York:
https://www.npr.org/2024/11/03/nx-s...lution-of-terry-rileys-minimalist-masterpiece
Thanks. Shri Camel works in the States, but I get a "Something went wrong" error on ARICA...I should add that I’m in the UK. Both of these records are in Atmos for me.
While I'm not a big fan of the band, I've been enjoying the Atmos mixes on Tidal of Grateful Dead's American Beauty (Atmos Mix), Workingman’s Dead (2023 Mickey Hart Mix) and Europe ’72 (Live) [50th Anniversary Edition] [Atmos Mix].
I've given the titles exactly as they are in Tidal, to help with searches if you're interested (Tidal clearly think Mickey Hart is worth noting, whoever he is). The mix on the last one is particularly good, I think. And nearly two hours of music.
Overall, I feel the Atmos treatment for this band really shows the class act they are. You can't help but enjoy the excellent musicianship, even if the song itself may not be quite your thing. I highly recommend all three of these albums if you haven't checked them out yet.
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