Listening to Now (In Surround) - Volume 2

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To Die For, Mike. Love her sultry version of the Door's Light My Fire .....

This is a VERY difficult to find BD~A. AmazonUS only carries the RBCD. [Currently over $200 on ebay and $160 on discogs]



Great fidelity....BUT.....the surround mix....eh...depends on who you ask...many prefer the 2 channel.....our own Kal Rubinson weighs in
 
Great fidelity....BUT.....the surround mix....eh...depends on who you ask...many prefer the 2 channel.....our own Kal Rubinson weighs in

I already had THAT discussion with KAL over at SA~CD.net. If you play the album in 4.0 it sounds UTTERLY FANTASTIC, CLINTY. Very nice discrete use of surrounds.

If you try to make a mountain out of a mole hill you'll end up with a plateau!🌅
 
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Do you downmix all your surround discs to 4.0? Just curious as I've noticed you mention it a lot.

Jonathan I have two 5.1 surround systems and 2 4.0 surround systems. Kal did bring up an issue with the Patricia Barber BD~A over at the old SA~CD.net [rightly] claiming her vocals in the front channels were a bit wonky. On my 4.0 systems, I set the Player and Pre/Pro to NO center or Center OFF position and it incorporates the CENTER channel into the f/r and f/l speakers. Not to bring this up again, but that's why I had absolutely NO issues with the Oasis mch SACD.
 
Patricia Barber Modern Cool [Premonition Records BD~A 5.1]

Reviews:

One of the best jazz records of the century. --Audio Magazine

The coolest singer-songwriter around. --Los Angeles Times

5 🌟🌟🌟🌟🌟 --Downbeat


See the source image

This is one of those titles that tends to imbue our fellow travelers with varying shades of polarization. It's too bad really that more folks here don't get a chance to hear this, as it has become rare and expensive. Over at the Poll thread you can see that few have voted on it, which I'm inclined to believe is more about access than contribution. There are currently only 19 votes for this.

https://www.quadraphonicquad.com/fo...ber-patricia-modern-cool-blu-ray-audio.16840/
I'm also lucky enough to have grabbed this early on when the prices were reasonable, and I'm happy to have it. It's safe to say the fidelity of this recording is stellar. I believe it's important to consider a couple of things with this title and others in general.

One, what were the artists and engineers trying to achieve not just from an artistic stand point, but sonically as well. We all like to think we're experts in what is presented to us, but actually we can only respond to our tastes in a somewhat subjective way.

Two, beyond a more corporate view of what a release should sound like to create sales numbers (or, what does the label & producer feel the customer wants to hear); lies the actual control an artist has to express their vision of their music, regardless of what the fans want (think Dylan going electric.)

Some of this can be answered from the liner notes provided by the Surround Sound Engineer - Jim Anderson. I wont include any of that here (maybe in the Poll thread later.)

One of the Poll voters mentioned they had a reversal of opinion on this album when they went to four matching full-range speakers and possibly gained better insight into the choices made for the mix. We all hear it differently, each room's acoustics and equipment varies substantially.

I for one am going to do a little more research on-line to find articles about this album, and perhaps gain more insight into what the artist and her collaborators were envisioning. Sometimes when you open a can of worms, it's best to get a little dirty, shove a hook in a worm, drop it in your favorite fishing hole and go home with a nice dinner.
 
This is one of those titles that tends to imbue our fellow travelers with varying shades of polarization. It's too bad really that more folks here don't get a chance to hear this, as it has become rare and expensive. Over at the Poll thread you can see that few have voted on it, which I'm inclined to believe is more about access than contribution. There are currently only 19 votes for this.

https://www.quadraphonicquad.com/fo...ber-patricia-modern-cool-blu-ray-audio.16840/
I'm also lucky enough to have grabbed this early on when the prices were reasonable, and I'm happy to have it. It's safe to say the fidelity of this recording is stellar. I believe it's important to consider a couple of things with this title and others in general.

One, what were the artists and engineers trying to achieve not just from an artistic stand point, but sonically as well. We all like to think we're experts in what is presented to us, but actually we can only respond to our tastes in a somewhat subjective way.

Two, beyond a more corporate view of what a release should sound like to create sales numbers (or, what does the label & producer feel the customer wants to hear); lies the actual control an artist has to express their vision of their music, regardless of what the fans want (think Dylan going electric.)

Some of this can be answered from the liner notes provided by the Surround Sound Engineer - Jim Anderson. I wont include any of that here (maybe in the Poll thread later.)

One of the Poll voters mentioned they had a reversal of opinion on this album when they went to four matching full-range speakers and possibly gained better insight into the choices made for the mix. We all hear it differently, each room's acoustics and equipment varies substantially.

I for one am going to do a little more research on-line to find articles about this album, and perhaps gain more insight into what the artist and her collaborators were envisioning. Sometimes when you open a can of worms, it's best to get a little dirty, shove a hook in a worm, drop it in your favorite fishing hole and go home with a nice dinner.

There is no "can of worms" or Mole Hill digging on my part😁..I've never heard it before... but Kal isn't the first person to make the observation about the surround mix vs the stereo version...there is one consensus opinion...the fidelity is superb..and for me that means more than surround vs stereo...I live in both worlds..in addition to deep space👨‍🚀
 
This is one of those titles that tends to imbue our fellow travelers with varying shades of polarization. It's too bad really that more folks here don't get a chance to hear this, as it has become rare and expensive. Over at the Poll thread you can see that few have voted on it, which I'm inclined to believe is more about access than contribution. There are currently only 19 votes for this.

https://www.quadraphonicquad.com/fo...ber-patricia-modern-cool-blu-ray-audio.16840/

I just put in my .02
 
This is one of those titles that tends to imbue our fellow travelers with varying shades of polarization. It's too bad really that more folks here don't get a chance to hear this, as it has become rare and expensive. Over at the Poll thread you can see that few have voted on it, which I'm inclined to believe is more about access than contribution. There are currently only 19 votes for this.

https://www.quadraphonicquad.com/fo...ber-patricia-modern-cool-blu-ray-audio.16840/
I'm also lucky enough to have grabbed this early on when the prices were reasonable, and I'm happy to have it. It's safe to say the fidelity of this recording is stellar. I believe it's important to consider a couple of things with this title and others in general.

One, what were the artists and engineers trying to achieve not just from an artistic stand point, but sonically as well. We all like to think we're experts in what is presented to us, but actually we can only respond to our tastes in a somewhat subjective way.

Two, beyond a more corporate view of what a release should sound like to create sales numbers (or, what does the label & producer feel the customer wants to hear); lies the actual control an artist has to express their vision of their music, regardless of what the fans want (think Dylan going electric.)

Some of this can be answered from the liner notes provided by the Surround Sound Engineer - Jim Anderson. I wont include any of that here (maybe in the Poll thread later.)

One of the Poll voters mentioned they had a reversal of opinion on this album when they went to four matching full-range speakers and possibly gained better insight into the choices made for the mix. We all hear it differently, each room's acoustics and equipment varies substantially.

I for one am going to do a little more research on-line to find articles about this album, and perhaps gain more insight into what the artist and her collaborators were envisioning. Sometimes when you open a can of worms, it's best to get a little dirty, shove a hook in a worm, drop it in your favorite fishing hole and go home with a nice dinner.

Play it in 4.0 and it's perfection personified! I wish ALL albums sounded this tactile! It's ashame it's OOP and commanding between $160 to over $200 on Amazon and ebay. For those who do prefer listening in stereo, the resolution is 192/24!
 
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Not familiar with this one Ralph, care to share any comments...?

JP, a lovely performance with some glowing reviews from the UK Press: The Observer 'observes' "A Towering Performance..." And UK's Daily Telegraph exclaims: "This is a Shostakovich Fifth that grips from the very start."

Try it, you'll like it!
 
Well hell Ralphie; ya got me on the run, haven't heard this one either. How's the mix; some of the Naxos I have is sorta dual stereo in the rears?

This mix is surprisingly robust ...... especially some of the percussion. This is NOT a Naxos recording. They just distribute it. Live dangerously, JP .... if anyone knows better, it IS a dog's LIFE!🐶

BTW, I just ordered this one from AmazonUS. From the Sono Luminus Label [BD~A/RBCD combo]. If you have a DOLBY ATMOS 11.1/Auro 3D capable system......another electronic marvel:

71kAtgmt0nL._SL1200_.jpg


71qXZpRg51L._SL1200_.jpg
 
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This mix is surprisingly robust ...... especially some of the percussion. This is NOT a Naxos recording. They just distribute it. Live dangerously, JP .... if anyone knows better, it IS a dog's LIFE!🐶

BTW, I just ordered this one from AmazonUS. From the Sono Luminus Label [BD~A/RBCD combo]. If you have a DOLBY ATMOS 11.1/Auro 3D capable system......another electronic marvel:

71kAtgmt0nL._SL1200_.jpg


71qXZpRg51L._SL1200_.jpg

Sorry to say I'm not set up for the whole DOLBY ATMOS/Auro 3D thang, but can still enjoy 5.1 DTS HD MA.
 
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