Alright, so I failed to read that only Hoople was in surround. Moderate bummer. Especially since that's my least favorite of these three, although Hoople is still a good album and easily one of the best DV has ever released from their 70's easy-rock bargain bin selection (I mean this in a complementary way). I feel like DV should give away a free 1 x 1 patch of pea-green carpet stained with cigarette butts or Schlitz, your choice if you break some monetary threshold in purchases.
I already have these 3 albums on analog vinyl and sonically those will remain my emotional touchstones for this type of cocaine-fueled, dick-swinging, glam rock with the exception of this new surround version of The Hoople. There are few bands who did this style of music well: David Bowie (briefly), The Rolling Stones (Some Girls), T.Rex, and you can hear echoes of glam in power pop bands like Big Star.
The sonics on these albums are quite good. In some ways, comparing the SACDs to the analog versions can be a little like comparing apples and oranges given the differences in my playback equipment. The DV editions of these albums sound dynamic and faithful to the originals. Well done DV.
I agree at least half of Hoople's mix could be described as "cavernous". A good deal of Ian Hunter's vocal is buried on the first 4 tracks. That being said, I like murky cavernous mixes. Exile on Main Street, The Moon and Antarctica (the first mix), Led Zeppelin, and The Faces come to mind. Also, we're not listening to Chinese Democracy where every note has been perfectly played and digitally recorded. This is boozy analog-driven music meant to presage excess and bad decisions. The sound is like a hang-over. There are also some cool sonic surprises in Hoople's mix such as quick strikes of keyboard and guitar coming out of the rears. QQ members should pick this one up. Who knows, younger QQ members may have even been conceived to this music.
The Hoople
Music: 7.0
Mix: 7.5
All the Young Dudes
Music: 9.5
Mott
Music: 8.5