Do we have any QQ member here that’s got skills in computer graphics design?
The new spatial audio streaming polls will need some nice graphics and a logo.
The new spatial audio streaming polls will need some nice graphics and a logo.
You could maybe try @Peacekeepr73 who's a pro designer and did those excellent quad labels?Do we have any QQ member here that’s got skills in computer graphics design?
The new spatial audio streaming polls will need some nice graphics and a logo.
Garry, curious about the Apple Music scrape process. Is it the same as the @NewSpatialAudio Twitter feed or a proprietary creation of your own? Also, is the scrape tool only capturing full albums and not “singles”? And how does the scrape tool filter out duplicates (such as individual songs appearing on multiple compilations)?
Thanks for all your work!
I don't agree with that. Surround mixes have to be evaluated as a whole product, not for the use of specific channels. It's like voting on quads and 5.1 mixes depending on how much the rear channels are used. Rick Wakeman's Six Wives is a mix that makes heavy use of the rears, but I would deduct points for that because it sounds unbalanced. I understand that some people prefer a discrete approach and not an immersive approach, but we can't really assess a surround mix by looking into the use of individual channels, at least in my view. If a mix is light on the height channels, there must be an artistic reason.An idea for the polls - since height channels are obviously what sets Atmos apart from 5.1 / 7.1, in addition to voting for the overall quality of the mix, add a sub-vote for use of height channels? There are plenty of Atmos mixes that are very enjoyable, but light on the height channels.
I agree, if there's nothing in the heights it's no Atmos in my book even if my AVC tells me so. That's why I have LED bars to monitor the height channels output.An idea for the polls - since height channels are obviously what sets Atmos apart from 5.1 / 7.1, in addition to voting for the overall quality of the mix, add a sub-vote for use of height channels? There are plenty of Atmos mixes that are very enjoyable, but light on the height channels.
I don't agree with that. Surround mixes have to be evaluated as a whole product, not for the use of specific channels. It's like voting on quads and 5.1 mixes depending on how much the rear channels are used.
I concur. Lets take for example the recently released via Apple the Jean-Michel Jarre OXYMORE, absolutely fantastic 5.1, and come's as a Dolby Atmos signal and there is just nothing to speak of in the heights.An idea for the polls - since height channels are obviously what sets Atmos apart from 5.1 / 7.1, in addition to voting for the overall quality of the mix, add a sub-vote for use of height channels? There are plenty of Atmos mixes that are very enjoyable, but light on the height channels.
Enter your email address to join: