I’m inclined to agree with you, though I like them both. According to the liners, Gods was destined for quad release from the outset while 360 Degrees was a “retrofit” done after the stereo release, so that may account for the difference.
360 Degrees also sounds much more like a “remix” compared to the original, while Gods sounds just like the stereo mix, only bigger and better.
The crown jewel of the Philadelphia International quad releases IMO is Harold Melvin & The Blue Notes’ Black & Blue. Let’s hope we see that one on SACD in the near-future...